BBC Music Magazine

Mahler

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Symphony No. 6 (Tragic)

Musicaeter­na/teodor Currentzis Sony 1907582295­2 83:51 mins

Following the undeniable originalit­y of his Mozart-da Ponte operas and Stravinsky Rite, a Mahler symphony was always going to be the ultimate test of whether Teodor Currentzis and his Musicaeter­na players can attain the ‘living legend’ status some already grant them. Certainly there are

passages here as phenomenal and white-hot as any I’ve heard in the Sixth Symphony: try the whiplash return to the hurly-burly after the high-pastures idyll at the centre of the first movement, or the build-ups to the first two hammer blows as well as the welter of their aftermaths.

Was Currentzis, for me almost unwatchabl­e in his flapping conductor’s style, going to go for the same exaggerati­on in sound alone at the first hurdle, the supposed portrait of Mahler’s wife Alma in the big second subject? Unfortunat­ely yes: the momentum lost certainly isn’t what Mahler imagined, beautiful though it sounds, and the comparable billowing in the finale is also a shade too exaggerate­d for my taste. But it’s good to hear how a Scherzo of driving energy can work on the heels of the first movement, and the Andante, though it treads dark earth rather than the ideal water of a more fluent performanc­e, is authoritat­ively sustained and built towards a climax that’s never rushed. The real drawback is the glassy patina over the sound: is this a true representa­tion of Moscow’s ★ouse of Audio Recording acoustics, or has post-production gloss been added? At any rate it robs the interpreta­tion of the last degree of feral intensity. David Nice PERFORMANC­E ★★★★ RECORDING ★★★

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