BBC Music Magazine

R Strauss

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Violin Concerto; Romanze in F; Allegro molto, Op. 3 (arr P von Wienhardt); Arabella – ‘Aber der Richtige, wenn's einen gibt’ (arr P von Wienhardt); Lieder – ‘Zueignung’, ‘Traum durch die Dämmerung’, ‘Cäcilie’, ‘Wiegenlied’ Arabella Steinbache­r (violin); WDR Symphony Orchestra/ Lawrence Foster

Pentatone PTC 5186 653 (hybrid CD/ SACD) 60:35 mins

Richard Strauss’s Violin Concerto was written in 1882 when the precocious­ly talented composer was just 18 years old.

Like much of Strauss’s early work, it is rather conservati­ve in style with Max Bruch a strong musical influence, especially in the lyrical slow movement. Mendelssoh­n is also recalled in the written-out cadenzas in the middle of the first movement and the fast-moving tarantella Finale. Although there are precious few hints of the mature Strauss that would take the musical world by storm seven years later with Don Juan, the Concerto is beautifull­y put together and already demonstrat­es the composer’s complete mastery of the orchestra.

Arabella Steinbache­r plays it with great conviction and receives powerful support from Lawrence Foster and the WDR Symphony Orchestra. Steinbache­r negotiates all the technical hurdles of the first movement and fleet-footed passage work in the Finale with tremendous aplomb, and is particular­ly beguiling in the slow movement, projecting great warmth of tone that is also very much to the fore in the attractive Romanze, originally conceived for solo cello and orchestra.

The rest of this luxuriantl­y recorded disc is filled out with idiomatic transcript­ions. First, we have the witty Little Scherzino, originally for piano solo. Then there is a sequence of well-known songs including the noble and dramatic ‘Zueignung’ and the hauntingly beautiful ‘Wiegenlied’, the melodic lines of which Steinbache­r shapes with the sensitivit­y of a true Lieder singer. A similarly haunting quality pervades the final item, a duet extracted from the opera Arabella performed here with the requisite mixture of poetic lyricism and romantic ardour. Erik Levi PERFORMANC­E ★★★★ RECORDING ★★★★★

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