BBC Music Magazine

Dutilleux • Lutos awski

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Lutos¯awski: Cello Concerto;

Dutilleux: Tout un monde Iointain Johannes Moser (cello);

Berlin Radio Symphony Orchestra/ Thomas Søndergård

Pentatone PTC 5186 689 53:52 mins

This disc tells several stories, beginning with a pair of composers, who from opposite sides of the Iron Curtain became not only two of the most important voices in late 20th-century music but two of the most fastidious as well. The cello concertos of both Polish composer Witold Lutos awski and French composer Henri Dutilleux were both written for Mstislav Rostropovi­ch, who gave both works their premieres in 1970. And although Lutos awski disavowed programmat­ic – still less political – meaning in his music, Galina Vishnevska­ya (married to Rostropovi­ch) may have had a point when she called his Cello Concerto ‘the story of a 20th-century Don Quixote’. It’s hard not to agree when hearing Johannes Moser, who has made this work (and the Dutilleux) a cornerston­e of his repertoire; playing with depth and naturalnes­s but above all a sense of theatre, he shapes an animated performanc­e together with Thomas Søndergård and the Berlin orchestra.

With its allusions to the poetry of Charles Baudelaire, Dutilleux’s Tout un monde lointain is perhaps more mystical, and Moser allows it to unfold with hypnotic beauty. His cello tone has warmth, but can be sinewy or otherworld­ly when required, and he also tells a story in his lively programme notes, which articulate many truths about these important works. John Allison

PERFORMANC­E ★★★★

RECORDING ★★★★

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Poetry emotion: violinist Ning Feng is ideal in Elgar
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