BBC Music Magazine

Hoffmeiste­r • Rossini

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Hoffmeiste­r: Double Bass Quartets Nos 3 & 4; Rossini: Sonata a quattro Nos 4, 5 & 6

Minna Pensola (violin), Antti Tikkanen (violin, viola), Tuomas Lehto (cello), Niek de Groot (double bass)

BIS BIS-2318 (hybrid CD/SACD) 76:38 mins

This recording has both musical and musicologi­cal interest. When Gioacchino Antonio Rossini (17921868) was 12 he was asked by a rich Italian patron, Agostino Triossi – who was also a keen double bass player – if he would write some chamber music for him. Six quartets and sundry other pieces were the quick result, scored for the specific instrument­al combinatio­n to hand, with Rossini himself playing second violin. In later life he dismissed the quartets as ‘terrible’ (and played down his own role in their performanc­e as ‘doggish’), but the truth – as made plain by the excellent performanc­es on this recording – is that this music is much more than a mere prentice effort.

There are long stretches recalling ★aydn and Mozart, and the overall tone has a quintessen­tial ★absburg decorum, and although Rossini doesn’t follow strict sonata form – stringing his melodies together with gay abandon – he already knows how to create drama. ★is slow movements suggest operatic arias waiting to emerge: this is the future composer of Il barbiere di Siviglia eagerly flexing his muscles.

Franz Anton ★offmeister (1754-1812) was a prolific contempora­ry whose chamber works also recall those of ★aydn and Mozart. But the chief interest of his ‘solo quartets’ lies in the fact that they were designed to celebrate the emancipati­on of the double bass, thanks to two technical improvemen­ts. The wound strings were easier to play than the gut strings they replaced, and the developmen­t of tuning pegs with a screw mechanism in the peg-box made a more stable intonation possible, permitting the instrument to perform as nimbly as the upper strings. A very enjoyable disc.

PERFORMANC­E

RECORDING

Hear extracts from this recording and the rest of this month’s choices on the BBC Music Magazine website at www.classical-music.com

This music is much more than a mere prentice effort

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