BBC Music Magazine

Dvořák • Janá ek • Smetana Dvoˇrák:

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String Quartet No. 10 in E flat, Op. 51; Janácˇek: String Quartet No. 2 (Intimate Letters); Smetana: String Quartet No. 2 Wihan Quartet

Nimbus Alliance NI 6376 68:03 mins The Wihan Quartet has secured a reputation as one of the world’s finest chamber ensembles. Notwithsta­nding two changes in personnel in recent years, they have maintained their high standing. This collection of Czech repertoire seems carefully chosen to avoid the front-line classics: Smetana’s Second Quartet is intense and worrying, while Janá ek’s second is intense and exultant. Side stepping Dvo ák’s American Quartet, they offer us one of the composer’s most beguiling middle-period chamber works.

Smetana’s Second Quartet was written in terrible circumstan­ces, when he was in the last stages of syphilis and suffering bouts of dementia, concentrat­ion near impossible. The work can seem abrupt, but it is a masterpiec­e of concentrat­ed passion and one much admired by Schoenberg. The Wihan Quartet’s reading of the first movement is well-considered and plots a convincing course through Smetana’s multitude of tempo indication­s. If they do not quite convey the spectral qualities of the succeeding ‘Polka’, they bring extraordin­ary cohesion to the final movements.

In Dvo ák’s utterly different quartet the ensemble is at its best in the last three movements with relaxed and refined performanc­es. The first movement, shorn of its exposition repeat, is rather uncertain in tempo, though superbly played. Inspired by his love for a much younger woman, Janá ek’s Second Quartet inhabits a much more febrile world. The Wihan Quartet are alive to its demands in a powerfully engaged performanc­e, haunting in the third movement and incandesce­nt at the end of the fourth. If these readings lack the last iota of magic, they are certainly highly recommenda­ble. Jan Smaczny

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