BBC Music Magazine

Puccini

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Tosca (DVD) Anja Harteros, Aleksandrs Antonenko, Ludovic Tézier, Andrea Mastroni; Bachchor Salzburg; Staatskape­lle Dresden/christian Thielemann; dir. Michael Sturminger (Salzburg, 2018)

C major DVD: 748308; Blu-ray: 748404

120 mins

It’s a moot point whether all Puccini operas update well, and Tosca can seem rather tied to its specific historical period. References to Bonaparte’s victory raise an eyebrow or two in Michael Sturminger’s production for the 2018 Salzburg Easter Festival, relocated to present-day Rome. Get beyond such qualms, however, and this production does a fine job of underlinin­g just what a resonant opera Tosca is for our times.

Sturminger’s sets are not so different from those in a standard Tosca, at least for the first two acts, but costumes and directoria­l details bring the action up to date. Psychologi­cal realism is to the fore. Scarpia is a mafia godfather made doubly sinister by the fact that he could pass for your boss: a whitehaire­d, bespectacl­ed, overweight businessma­n in a cheap suit who likes to ride his exercise bike before indulging in casual workplace harassment. Ludovic Tézier eschews the usual pantomime-villain approach for something more subtle: utterly commanding of voice yet cold behind the eyes. Anja ★arteros is a chic, grown-up, no-nonsense Tosca who literally wears the trousers. She is on top form vocally, particular­ly rich in the dramatic chest register yet also giving us an utterly serene ‘Vissi d’arte’ that for once doesn’t seem like an interrupti­on to the action. Aleksandrs Antonenko as a smock-clad Cavaradoss­i is a weaker presence both dramatical­ly and musically; his periodical­ly wavering intonation is particular­ly disconcert­ing. Christian Thielemann and the Staatskape­lle Dresden provide sympatheti­c support to the proceeding­s.

Nobody in this production is likeable; everyone is controllin­g someone else. Sturminger’s use of children in the action intensifie­s the opera’s darkest shades: most shocking is the forcible use of boys from a disreputab­le Catholic boarding school to do the mafia stooges’ dirty work. This is a bitterchoc­olate thriller of a production, with a hell of a plot twist at the end. Alexandra Wilson

PERFORMANC­E ★★★

PICTURE & SOUND ★★★★

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