BBC Music Magazine

Scenic steps

Opera’s finest dances

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Dance of the Seven Veils from Strauss’s Salome Richard Strauss’s Salome scandalise­d audiences at its premiere in 1905, mostly due to its Dance of the Seven Veils. Hoping to claim John the Baptist’s head on a platter, the princess dances for her stepfather, Herod II, removing her veils one by one until she is naked. Strauss described the dance as ‘the heart of the plot’, and wrote languid, seductive orchestral music for it. Bacchanale from Saint-saëns’s Samson et Dalila Colourful and lively, the Bacchanale has become a standalone concerthal­l favourite. In Act III of this biblical opera of 1876, the Philistine­s abandon themselves to a wild dance. Saint-saëns depicts this world in the language of French orientalis­m, spicing western scales with augmented intervals and an improvisat­ory-style oboe solo. Polonaise from Dvoˇrák’s Rusalka In his fairytale opera of 1901, Dvoˇrák tells the sad love story of a water sprite who falls for a human prince. In Act II, festivitie­s are taking place at his castle. A stately Polonaise represents the aristocrac­y, the mortal world in which the prince lives, and of which Rusalka can never truly be a part. Dance of the Persian Slaves from Musorgsky’s Khovanshch­ina In Act IV of Musorgsky’s epic Khovanshch­ina, the Russian Prince Khovansky orders his Persian slaves to dance for him. Left incomplete at Musorgsky’s death, the opera was revised and orchestrat­ed by Rimsky-korsakov. In the dance, a cor anglais solo unfurls before the strings pick up the soaring melody. The increasing­ly energetic dance whips up to a stirring conclusion. Dance of the Hours from Ponchielli’s La Gioconda Ballets were an integral part of French grand opera, and the tradition was emulated elsewhere – including by the Italians. Ponchielli’s 1876 opera La Gioconda includes a ten-minute ballet in Act III about the changing hours of day (see picture above). A popular hit after its premiere, the Dance of the Hours became even more famous when featured in Disney’s Fantasia, lithely danced by a hippo in a tutu.

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Ljuba Welitsch as Salome in 1949; (below) a 1907 costume design for Dance of the Hours
Tempting fate: Ljuba Welitsch as Salome in 1949; (below) a 1907 costume design for Dance of the Hours
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