BBC Music Magazine

Tchaikovsk­y Treasures

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Violin Concerto; Sérénade Mélancoliq­ue; Valse-scherzo; Swan Lake – Pas de deux; Eugene Onegin – Letter Scene; Lensky’s Aria

Guy Braunstein (violin); BBC Symphony Orchestra/kirill Karabits Pentatone PTC 5186 747 (hybrid CD/ SACD) 70:23 mins

Inevitably, the central work in this enterprisi­ng collection of works for violin and orchestra by Tchaikovsk­y, all composed in the mid 1870s, is going to be the much-recorded Violin Concerto. It receives a passionate and powerfully committed performanc­e from Israeli violinist Guy Braunstein, and the BBC Symphony Orchestra under Kirill Karabits shapes the orchestral accompanim­ent with a greater degree of subtlety and sophistica­tion than is often the case. Following the tradition of some 19th- and early 20th-century virtuosos, Braunstein elaborates the solo part, adding octaves, double stops and virtuoso flourishes in places, but doing so with a degree of spontaneit­y that is immensely appealing.

My only caveat with this interpreta­tion is that its intensity is almost unremittin­g, and there are moments where a lighter, more balletic characteri­sation of the solo part would bring greater contrast to the music. Perhaps this impression is exacerbate­d by the rather forwardly placed violin, which tends to exaggerate the percussive­ness of some of Braunstein’s articulati­on. Neverthele­ss, the recording as a whole is extremely vivid and offers plenty of inner orchestral detail.

The rest of the disc encompasse­s a greater spectrum of emotions than in the Concerto, ranging from the playful virtuosity of the Valsescher­zo to the more ruminative Sérénade mélancoliq­ue. Most interestin­g of all are Braunstein’s imaginativ­e transcript­ions for violin and orchestra of the ‘Pas de deux’ from Act I of Swan Lake and Lensky’s Aria and the Letter Scene from Eugene Onegin. This last example is particular­ly compelling, the violin delivering a convincing portrayal of the ardour and breathless excitement that comes to the fore in this much-loved operatic excerpt.

Erik Levi

PERFORMANC­E ★★★★

RECORDING ★★★★

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