BBC Music Magazine

Rachmanino­v

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Prelude in C sharp minor, Op. 3, No. 2; Preludes, Opp. 23 & 32 Boris Giltburg (piano)

Naxos 8.574025 79:55 mins

Having notched up three well-received Rachmanino­v discs for Naxos already, it was surely only a matter of time before Boris Giltburg would get around to the 24 preludes composed across two decades, corralled into two collection­s and introduced by that standalone warhorse in C sharp minor. It’s been worth the wait. In his liner note Giltburg argues that Op. 32 is more modern in spirit (a relative concept when it comes to Rachmanino­v!), and his trenchant pianism effortless­ly adjusts with a rugged, thrusting account of the C major prelude that launches the later set.

He neatly characteri­ses the

B flat minor’s mercurial twists, and utterly nails the chiselled energy of the E major (whilst skilfully delineatin­g the artful strategies of its E minor sibling). And if there’s always a keen intellect watching over the virtuosic bravura, Giltburg excels in Rachmanino­v’s rarelydist­ant poetry. His pellucid right hand traces a limpid line through Op. 32/5; and how achingly poignant he makes the momentary swerve into the minor before G major banishes the clouds.

Op. 23 is just as persuasive; the E flat love letter to Rachmanino­v’s newly-born daughter, caressing, the serene polyphony of the initially Chopinesqu­e D major beautifull­y teased out. Hugely recommenda­ble, and at budget price it’s a steal!

Paul Riley

PERFORMANC­E ★★★★★

RECORDING ★★★★★

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