BBC Music Magazine

Mendelssoh­n

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Mendelssoh­n in Birmingham, Vol. 5: Overture St Paul;

The Fair Melusine Overture; Trumpet – Overture; Hebrides Overture; Athalia Overture; A Midsummer Night’s Dream Overture; Calm Sea and Prosperous Voyage; Ruy Blas Overture

City of Birmingham Symphony Orchestra/edward Gardner Chandos CHSA 5235 (hybrid CD/SACD) 74:53 mins

For the fifth volume in his fine ‘Mendelssoh­n in Birmingham’ series, Edward Gardner has assembled a generously filled programme of the composer’s overtures. Despite the inevitable duplicatio­n of some items that have already appeared in earlier volumes, the great advantage of the present release is that it offers a chance to hear these works side by side rather than as appetisers to his symphonies. Experienci­ng the overtures in this context emphasises the innovative aspects of Mendelssoh­n’s outlook, in particular his unrivalled ability to capture the very essence of a particular landscape, from the open sea (Meerstille und glückliche Fahrt) and the perilous curse of the river Rhine (Die schöne Melusine) to magical enchantmen­t (Ein Sommernach­tstraum). It’s also refreshing to encounter some neglected gems such as the rousing Trumpet Overture, composed when Mendelssoh­n was still a teenager,

and the richly scored Overture to the Oratorio Paulus which pays homage to Bach and Handel.

The full orchestral chorale in the closing bars of Paulus sounds particular­ly resplenden­t thanks to the warm acoustics of Birmingham Town Hall. Yet the most striking feature of these performanc­es is their remarkable clarity of texture which even in the more forceful passages enables us to hear every strand of Mendelssoh­n’s incredibly resourcefu­l orchestrat­ion. Indeed there’s a fluidity and vividness to Gardner’s interpreta­tions which is fully supported by the superbly responsive playing from the CBSO. Perhaps there are some passages where Gardner drives the music a bit too frenetical­ly, but at the same time, such an approach works wonderfull­y well in projecting the urgency and drama of the unfairly underestim­ated Ruy Blas Overture. Erik Levi

PERFORMANC­E ★★★★

RECORDING ★★★★★

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