BBC Music Magazine

Our Choices

The BBC Music Magazine team’s current favourites

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Oliver Condy Editor

Matins at the Edington Festival in rural Wiltshire this summer was glorious. The early morning sun gleamed through Edington Priory’s ancient stained glass – the perfect counterpoi­nt to the atmospheri­c plainchant, sung with consummate fluidity and subtlety by festival’s Schola choir. Could there possibly be a more perfect start to the day?

Jeremy Pound Deputy editor

Whether reading his new book (see p111) or researchin­g his love of football (p46-50), I’ve enjoyed spending time in the virtual company of James Macmillan this month. This provided an excuse to revisit my favourite recordings of the Scottish composer’s music, including his own version of The Confession of Isobel Gowdie with the BBC Philharmon­ic. In turns sinister and startling, Macmillan’s tone poem narrates its tragic story with extraordin­ary power. Alice Pearson Disc editor

Fancy a reminder of your summer holiday in the French countrysid­e? If so, look no further than Poulenc’s piano suite Les soirées de Nazelles. These pieces are some of the composer’s finest – a suite of eight variations or sketches, opening with a gripping ‘Préambule’ and finishing off with an exciting ‘Final’. They were improvised at a country house in Nazelles – an affectiona­te, witty tribute to memorable times. I’ve been enjoying Pascal Rogé’s 2003 recording. Michael Beek Reviews editor

While on holiday in Poland, I attended a free Chopin piano recital in Warsaw’s Royal Ëazienki Park, where such concerts have been happening every summer for 60 years. I was amazed at the turnout; the concert was attended by thousands of locals of all ages, some even tying hammocks between trees. Bliss.

Freya Parr Editorial assistant

When I first encountere­d Glazunov’s Fifth Symphony as a flautist in the Guildhall School’s junior orchestra, I was less than enamoured. How wrong I was. The LPO’S take on this rarely performed work at the Proms highlighte­d its power and fabulous Russian colours, helped by the brilliant articulati­on of the principal flute – something lacking from my own performanc­e!

 ??  ?? Atmospheri­c: Warsaw’s Royal Ëazienki Park
Atmospheri­c: Warsaw’s Royal Ëazienki Park

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