BBC Music Magazine

Haydn symphonies with bags of character and wit

Bart Van Reyn and his musicians relish the playful inventiven­ess of these works, says Misha Donat



Symphony No. 80 in D minor, Hob. I:80; Piano Concerto in D, Hob. XVIII:11; Symphony No. 81 in G, Hob. I.81 Lucas Blondeel (fortepiano); Le Concert d’anvers/ Bart Van Reyn Fuga Libera FUG 755 62:06 mins The two symphonies recorded here were written in the early 1780s, immediatel­y before Haydn’s famous series for Paris, Nos. 82-87. The D minor Symphony No. 80 kicks off in dramatic style – almost like a throwback to the turbulent Sturm und Drang style Haydn had cultivated more than a decade earlier. And yet the music’s seriousnes­s is suddenly swept aside by a simple waltz tune which provides the main point of focus in the central portion of the movement. Bart Van

Reyn stresses the tune’s tongue-in-cheek character by pulling back the tempo slightly and giving it an additional lilt. Haydn’s wit is very much to the fore in the finale, too, where the main theme’s repeated-note syncopatio­n makes it impossible for the listener to register where the beat falls.

The first movement of the G major Symphony

No. 81 finds Haydn experiment­ing with the recapitula­tion, effectivel­y presenting his themes in reverse order. The trio of that symphony’s minuet offers another waltz-like theme, which this time unexpected­ly fetches up in the minor, casting a glow of melancholy over the music.

More familiar than the symphonies is the D major Piano Concerto, with its irresistib­le gypsy-style finale. Lucas

Blondeel is the brilliant soloist, injecting the keyboard part with just the right amount of expressive freedom. He provides his own stylish cadenzas, and even manages at one point to quote a few bars from Mozart’s D minor Fantasy K397. Performanc­es of all three works are lively and compelling, and the recording is first-rate. Haydn-lovers should definitely indulge. PERFORMANC­E ★★★★★


Hear extracts from this recording and the rest of this month’s choices on the BBC Music Magazine website at

Lucas Blondeel injects the keyboard part with expressive freedom

 ??  ?? Tongue-in-cheek: Bart Van Reyn gives point to Haydn’s humour
Tongue-in-cheek: Bart Van Reyn gives point to Haydn’s humour
 ??  ??

Newspapers in English

Newspapers from United Kingdom