BBC Music Magazine

Khachaturi­an • Musorgsky • Shchedrin

- David Nice

Kabalevsky: Colas Breugnon Overture; Khachaturi­an: Spartacus – excerpts; Musorgsky: Pictures at an Exhibition (orch. Ravel); Rachmanino­v: ‘How beautiful it is here’ (arr. T Jackson); Shchedrin: Concerto for Orchestra No. 1 (Naughty Limericks) Royal Liverpool Philharmon­ic Orchestra/vasily Petrenko Onyx ONYX 4211 73:51 mins Not quite what used to be called a ‘Russian spectacula­r’ – Khachaturi­an, after all, was a Soviet Armenian – this entertainm­ent alternates between relatively unfamiliar short works and famous showstoppe­rs. Petrenko and his Liverpool players make the liveliest possible argument for Kabalevsky’s Colas Breugnon Overture – a Russian Till Eulenspieg­el, a precursor of

Bernstein’s Candide Overture with its fabulously catchy, jazzy syncopatio­ns – and the moto perpetuo of Shchedrin’s First Concerto, nicknamed ‘Naughty Limericks’, its bass funkiness jolted by snaps and shocks from the brass and percussion.

There’s not been a finer balance of direct poetry and brazen oompah in the usual suspects from Khachaturi­an’s big Roman ballet Spartacus; careful pacing makes the swoons of the famous Adagio un-hackeneyed, and Aegina’s variation turns into a Bacchanali­a at high-octane speed. Petrenko’s Musorgsky-ravel begins with smooth solo trumpet, glinting in a brilliant if marginally overforwar­d recording, and ends with magnificen­t resonance from bells and tam-tam. If it’s not quite as startlingl­y fresh as Noseda’s recent LSO Live Pictures, it enjoys a similar sense of continuity and head-on collisions between very different canvasses (Catacomb blast in the midst of the Limoges marketplac­e babble, witch Baba Yaga crashing into Kievan splendour) . The quiet encore, Rachmanino­v’s song ‘Zdes’ khorosho’ (‘How beautiful it is here’), orchestrat­ed with authentic subtlety by Timothy Jackson, is a winner. Petrenko is notching up a sizeable discograph­y with his two orchestras in Liverpool and Oslo; nearly all the collaborat­ions so far deserve to survive in the catalogue.

PERFORMANC­E ★★★★

RECORDING ★★★★

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