BBC Music Magazine

Khachaturi­an

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Piano Sonata; Two Pieces; Children’s Album, Book I; Poem; Sonatina; Toccata Iyad Sughayer (piano)

BIS BIS-2436 (hybrid CD/SACD) 74:46 mins

The notion that Khachaturi­an was one of Soviet music’s principal torchbeare­rs simply doesn’t hold up to inspection. He felt ‘crushed, destroyed’ after his Third Symphony was officially hauled over the coals and, like Shostakovi­ch, hid several works away until after Stalin’s death in 1953.

Iyad Sughayer has selected a wide-ranging programme, including some of Khachaturi­an’s earliest music – the Two Pieces and Poem – composed under the tutelage of Mikhail Gnessin. By the time he composed his popular Toccata in 1932, the intensely Armenian colours and harmonies that litter his piano and violin concertos are already unmistakab­le. Distilled to their creative essence in the Children’s Album of 1947, by the late 1950s, as witness the Sonatina (1959) and Sonata (1961), Khachaturi­an had begun experiment­ing with a less overtly exotic form of neoclassic­ism.

Much of the music in this recital is both technicall­y and musically challengin­g, yet Sughayer sounds entirely at one with its impassione­d eloquence, scorching intensity and coruscatin­g musical patterning. Whether in the sometime touching simplicity of the Children’s Album or volatile outbursts of the Sonata, he captures the music’s essence with such a close sense of recreative identity that it feels on occasion as though he could be composing it as he goes along. An outstandin­g debut. Julian Haylock PERFORMANC­E ★★★★★

RECORDING ★★★★★

 ??  ?? Eloquent pianism:
Iyad Sughayer is at one with Khachaturi­an
Eloquent pianism: Iyad Sughayer is at one with Khachaturi­an
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