The glittering restoration that this Queen deserves
Berta Joncus delights in a ravishing new Purcell recording by Paul Mccreesh and the Gabrieli Consort
Purcell
The Fairy Queen
Carolyn Sampson, Anna Dennis, Mhairi Lawson, Ashley Riches, Roderick Williams; Gabrieli Consort/ Paul Mccreesh
Signum Classics SIGCD 615 139:03 mins (2 discs)
In 1701, the full score of Henry Purcell’s The Fairy Queen went missing. In his ‘1692’ Fairy Queen, Paul Mccreesh brings together leading artists and the best scholarly minds to make good that loss. Outrageous yet ravishing, this Fairy Queen commands both love and respect.
The Fairy Queen is a series of mini-dramas inserted into A Midsummer’s Night Dream in which Purcell’s characters entertain Shakespeare’s dramatis personae. Highlights include a fairy choir interrupted by drunken poets (Act I), conjured beings – elves, nymphs, monkeys, dryads, Chinese – celebrating love (Act II, II and V), and the chariot-riding sun god Phoebus praising Oberon
(Act IV). Mccreesh’s production rises to the occasion: original voicing, unorthodox continuo, projectspecific trumpet design and rediscovered string techniques bring out qualities missing from earlier recordings. Purcell’s hornpipes were never livelier, nor his chaconnes statelier, than in this performance.
The choir transforms on command from a lightly teasing ensemble to a thundering chorus; the impish boldness of the choral finale, heightened by tambourines, is the essence of Restoration zest. Singers’ additions, which stand out gloriously against a plucked-string-only accompaniment, cause amorous solos to ooze desire; Carolyn Sampson’s timbral purity and curvaceous diminutions are an especially heady mix. Comic numbers get full period license: the spluttering drunk poet is hilariously unmusical. At times soloists lard their solemn airs with a bit too much vibrato for my taste, but Purcell may have approved. Extremes, as Mccreesh shows, belong to the fantastic worlds of The Fairy Queen. PERFORMANCE ★★★★★
RECORDING ★★★★★
Hear extracts from this recording and the rest of this month’s choices on the BBC Music Magazine website at www.classical-music.com
Purcell’s hornpipes were never livelier than in this performance