BBC Music Magazine

A glorious showcase for key Shostakovi­ch works

The two piano concertos are a window into the composer’s carefree side, says Michael Church

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Shostakovi­ch

Piano Concertos Nos 1* & 2; Piano Trio No. 2 *Andrei Kavalinski (trumpet),

Aleksandar Krapovski (violin), Alexander Somov (cello), Simon Trp eski (piano); Janá ek Philharmon­ic Ostrava/cristian M celaru

Linn Records CKD 659 69:38 mins

As David Fanning observes in his liner note, Shostakovi­ch came late to the piano, only beginning lessons when he was nine. But once started he went like the wind, and was playing the Hammerklav­ier at 15. Coming a disappoint­ing eighth in the Chopin Competitio­n in 1927, he decided to major in compositio­n, and put his pianism on the back burner, reserving it for playing his own works.

This recording, co-produced by and starring Simon Trp eski, makes a lovely shop window for what the composer could do with the piano. Having started life as a trumpet concerto, the First Piano Concerto reflects Shostakovi­ch’s carefree musical optimism in the early ’30s, and Trp eski and trumpeter Andrei Kavalinski revel in the work’s radiant virtuosity, with Trp eski bringing pellucid clarity to the crystallin­e writing in the Allegro con brio. The relationsh­ip between the soloists climaxes headily, as the trumpeter plays straight-man to the pianist’s crazy cartwheels.

Contempora­ry with the Eighth Symphony, the Second Piano Trio bears the emotional scars of war in the sorrowing lamentatio­n of its Andante and the brutality lurking in its Scherzo; the dance tunes embedded in the finale have a Jewish inflection made all the more poignant for being played fortissimo with mutes.

Shostakovi­ch wrote his Second Piano Concerto for his son Maxim to play and, as Fanning points out, it’s full of family in-jokes including some five-finger studies still sometimes used as a teaching aid. Trp eski’s performanc­e is glorious throughout: jaunty at the start, exquisite in the Andante with its Rachmanino­v echoes, and letting rip wildly in the final explosion of joy.

PERFORMANC­E ★★★★★

RECORDING ★★★★★

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Trp eski’s performanc­e lets rip wildly in the final explosion of joy

 ??  ?? Spirited pianism: Simon Trpˇceski is a dynamic player
Spirited pianism: Simon Trpˇceski is a dynamic player
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