BBC Music Magazine

Scenes from the Kalevala

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Works by Klami, Madetoja, Pylkkänen and Sibelius

Lahti Symphony Orchestra/

Dima Slobodenio­uk

BIS BIS-2371 (CD/SACD) 70:43 mins Publicatio­n of the Kalevala in 1835 (expanded 1849) marked a watershed in Finland’s journey to independen­ce from Russia and, before that, Sweden. A collection of epic folk poems and myths rooted in oral tradition, it stirred a pride in Finnish language and culture that found preeminent musical expression in the youthful Sibelius (1865-1957) – who would become a national hero to rival those within its pages.

Yet Sibelius was only one composer to be inspired by the Kalevala. This enterprisi­ng album from the Lahti Symphony Orchestra and conductor Dima Slobodenio­uk sets the world premiere recording of his pre-fame, much-shortened 1897 revision of Lemminkäin­en Tuonelassa, Op. 22 No. 2 alongside works by three younger compatriot­s.

Leevi Madetoja (1887-1947) and Tauno Pylkkänen (1918-80) might themselves be separated by age, but their respective Kullervo, Op. 15 (1913) and Kullervon sotaanläht­ö (Kullervo Goes to War, 1942) were both early works, and further share with the Sibelius a lush romantic style.

While their elder conjures in translucen­t textures the otherworld­ly darkness of Lemminkäin­en’s sojourn in the Land of the Dead, Madetoja and Pylkkänen opt for galloping drama and pathos in depicting the tormented Kullervo. All handle the orchestra with confidence, the younger two composers contrastin­g exuberant themes and fanfares with lighter, more lyrical episodes.

Anxious to avoid comparison­s with Sibelius, Uuno Klami (190061) turned to primitivis­t Stravinsky in his later Kalevala Suite, Op. 23 (1943). Ironically, the result owes somewhat unsubtle debts to the Rite and Firebird, but is performed with verve. Steph Power

PERFORMANC­E ★★★

RECORDING ★★★★

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