BBC Music Magazine

Ombres – Women Composers of La belle époque

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Songs by Bonis, Chaminade, Ferrari, Holmès, Viardot et al Laetitia Grimaldi (soprano),

Talia Erdal (cello), Ammiel Bushakevit­z (piano)

BIS BIS-2546 (CD/SACD) 69:03 mins This recital combines songs by increasing­ly familiar figures like Augusta Mary Anne Holmès, Mel Bonis, Cécile Chaminade and Pauline Viardot with more recent ‘rediscover­ies’: Armande de Polignac, harpsichor­dist Juliette Folville, folklorist Marguerite Béclard d’harcourt, pianist-poet Hélènefréd­érique de Faye-jozin and opera composer Gabrielle Ferrari.

This fine duo has evidently done extensive research to assemble this innovative and attractive programme. Although each composer is unique, the recital is unified by the distinctiv­e, otherworld­ly belle-epoque aesthetic.

Bonis’s songs have gloriously sensual piano accompanim­ents and unexpected harmonies. The melody of ‘Élève-toi mon âme’ soars alongside the cello obbligato, beautifull­y played by Talia Erdal. Bushakevit­z’s fingers are fleet in the sparkling, rapid textures of Chaminade’s ‘Villanelle’, while ‘L’anneau d’argent’ is performed with tenderness and dignity.

Polignac transforms the mood, recalling Reynaldo Hahn, but with a more explorator­y voice. ‘Jardin du roi’ brings magical tranquilli­ty. Slighter songs, like that by Folville and Ferrari, are still delivered sympatheti­cally.

Viardot’s mercurial cosmopolit­anism is brilliantl­y showcased, with an enjoyable deep piano rumble in ‘Les ombres de minuit’ and a spacious, luminous rendition of ‘Les deux roses’. The single song by Béclard d’harcourt is impressive.

Holmès’s songs are wonderfull­y operatic. The recitative-like ‘C’est un oiseau’ retains integrity of melody in this heartfelt performanc­e. The deceptivel­y simple ‘Les lavandière­s’ packs an expressive punch. ‘À Trianon’ makes a playful ending to this revelatory recital.

Grimaldi’s sweet-toned voice is often hugely appealing, and she’s excellentl­y matched by Bushakevit­z. Although I wanted more colouristi­c variety and expressive range, this delightful recital is a must for all French song-lovers. Natasha Loges PERFORMANC­E ★★★★ RECORDING ★★★★★

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