BBC Music Magazine

Brief notes

This month’s selection includes The Planets, a Passion and a pop-tastic harp

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Borodin • Vassallo • Vella Orchestral Works

Malta Philharmon­ic Orchestra/sergey Smbatyan Navona Records NV6393

For something new, there’s Malta and Rebbieha, two short orchestral works by Maltese composers Vassallo and Joseph Vella that are respective­ly sunny and dramatic. The Borodin Second Symphony tends to drag, particular­ly in the third movement. (JP) ★★★

Bruckner

Symphony No. 4 (1874 version) Gürzenich Orchestra Cologne/ François-xavier Roth Myrios MYR032 Roth chooses the Fourth’s lessperfor­med original version. Missing in action is the famous ‘hunting horn’ Scherzo: its predecesso­r is less cohesive and exciting. The first movement trades the grandeur of Wand or Böhm for an unexpected impulsiven­ess. (SW) ★★★★

Grieg • Maier • Röntgen

String Quartets

The Zilliacus Quartet dbproducti­ons DBCD207

String quartets from three close friends, all rich in melody and quartet interplay. There’s a beguiling folkish lilt to the second movement of Grieg’s quartet; elsewhere, we are in familiar mid-romantic territory. Songful chamber music played with warmth and precision. (SW) ★★★★★

Holst The Planets

Bavarian Radio Symphony Orchestra/ Daniel Harding BR Klassik 900208 This live recording from February 2022 captures the BRSO’S first performanc­e of Holst’s astrologic­al epic in over 30 years. It’s thrilling stuff, all tightly marshalled by Harding, though at times that control holds back the work’s surging energy. But it’s a small criticism. (CS) ★★★★

Mendelssoh­n

String Quartets in E flat major Consone Quartet Linn Records CKD716 The Consone musicians, skilled specialist­s in period performanc­e, present two Mendelssoh­n quartets in E flat on gut strings. Yet for all its warmth and delicacy, the muted gut denies the works their sheen and sparkle, as if the lights have been dimmed. (CS) ★★★

Mozart • Widmann

Clarinet Quintets

Hagen Quartett; Jörg Widmann (clarinet) Myrios MYR031

The clarinet’s cool, refined tones blend with warm, pliable strings to irresistib­le effect in Mozart’s joyful Quintet, K581 and Widmann’s substantia­l, singlemove­ment response – a complex and uneasy compositio­n, given its premiere recording by supremely talented musicians. (CS) ★★★★★

Puccini Messa di Gloria etc

Charles Castronovo (tenor) et al Harmonia Mundi HMM905367 Oscillatin­g between benign and highspirit­ed in character, Puccini’s 1880 mass comes with moments that would not sound out of place in a Verdi opera. Don’t expect to plunge the emotional depths; do enjoy a very likeable, melodious work, performed here with winning panache. ( JP) ★★★★

Regamey • Schoenberg

Chamber Works

Nicolas Altstaedt (cello); Ilya Gringolts (violin) et al Alpha Classics ALPHA948 The latest in cellist Altstaedt’s Lockenhaus Festival series showcases works by Schoenberg and little-known Swiss-polish composer Constantin Regamey.

The Schoenberg is tortured and dramatic, yet cohesive and purposeful – while the virtuosic Regamey has a gripping, rhythmic drive. (CS) ★★★★

Sancan Piano Concerto etc Jean-efflam Bavouzet (piano); BBC Philharmon­ic Chandos CHAN20154 Reminding one a little of Ravel or even Khachaturi­an, the 1957 Piano Concerto is the major work on an album devoted to a composer who remains largely unknown in his native France. The other works, including the exquisite Sonatine for Flute and Piano, also reveal what a deft craftsman he was. (JP) ★★★★

Neil Tòmas Smith

Stop Motion Music

Carla Rees (flute), Esther Swift (harp) et al Dark Inventions DI2301

The very nature of ‘stop motion’ is that it takes a lot of time and concentrat­ion to get to the end result. The same very much goes for this experience, which is, at its best, meditative (Stop Motion Music I-IV ). At its worst (Manual, Scaffold for Simon), I’m afraid it’s just a little bit tedious. (MB) ★★

Correspond­ances

Works by Enescu, Ravel, C Scott Cristian Sandrin (piano)

Antarctica AR043

Cristian Sandrin draws convincing parallels between the piano music of Enescu, Ravel and Scott. This is a brave new world, soon after Wagner has stretched the boundaries of tonality and Debussy has opened up new avenues of timbre and touch. (SW) ★★★★

Echoes

Works by JS Bach, Glass et al Orchestra of the Swan

Signum Cassics SIGCD732

Whether you cherry-pick or listen through, this third ‘mixtape’ album from the versatile Swans is occasional­ly transporti­ve. Unusual choices aside – the Finzi finale is a bit of a downer – pieces by Frank Zappa, A Winged Victory for the Sullen and Portishead are highlights. (MB) ★★★

Love & Light Works by Hildegard, James Macmillan et al ising Silicon Valley et al Avie AV2602 This is impressive. A largely contempora­ry, contemplat­ive and often complex programme is performed with exceptiona­l poise by the girls’ choir and harpist Cheryl Ann Fulton. Sungji Hong’s mesmeric Lux Aeterna is the pick of several highlights.

( JP) ★★★★★

Man Up / Man Down Works by Robert Maggio, David Lang et al Constellat­ion Men’s Ensemble

Sono Luminus DSL-92266

The a cappella delivery by this allmale vocal ensemble in its debut recording certainly resonates. The same goes for the messaging, which unpacks dialogues around masculinit­y. An important topic, though a little less than dynamic, musically. (MB) ★★★

Polish Romantic Symphonies Works by Mirecki, Wieniawski Arthur Rubinstein Philharmon­ic Orchestra DUX DUX1901

Franciszek Mirecki’s (1791-1862) operatic background informs his symphony’s forthright phrasing. There’s also plenty of skittering Mendelssoh­nian energy, making for a satisfying Romantic symphony. Wieniawski is a more familiar name – but this is Józef, Henryk’s brother, and this is the less distinguis­hed work. (SW) ★★★

Pop Meets Classical Vol. 1 Works by JS Bach, Nirvana et al Alexander Boldachev (harp) Indésens IC001

An album that does what it says on the tin. Some of harpist Alexander Boldachev’s arrangemen­ts, such as Bach and Daft Punk, work nicely, while the likes of the Scorpions’ Winds of Change (complete with whistling) take some getting used to. (JP) ★★★

Secret Nights Songs by Beach, Chaminade, Saint-saëns et al

Sonja Leutwyler (mezzo-soprano) et al Solo Musica SM385

The violin is the voice’s sympatheti­c echo, while the piano marks the rhythm and pedal points. Chaminade’s yearning ‘Menuet’ and Lili Boulanger’s voiceless ‘Nocturne’ are French art song gems, while Schulhoff’s Three mood pictures add tangy 20th-century harmonies. (SW) ★★★

Stone, Salt and Sky Works by Maconchy, Sally Beamish et al

Gaia Duo Delphian DCD34263

The debut recording from this violin-andcello duo (Katrina Lee and Alice Allen) features a handful of premiere recordings, including the title work by Sally Beamish.

That piece is an evocative highlight: toe-tapping (quite literally) with a beautiful introspect­ion. Gorgeous sound quality and playing throughout. (MB) ★★★★★

Sword in the Soul

Works by Francis Grier, Owain Park, David Bednall, Elgar

London Choral Sinfonia/michael Waldron et al Orchid Classics ORC100223 There’s an uncompromi­sing intimacy to Francis Grier’s title work, a musical Passion play with top-class narration from wellknown actors Simon Callow and Samantha Bond. Additional choral items by Elgar, Finzi, David Bednall and Owain Park are replete with riches; very beautifull­y done.

(MB) ★★★★

Works for Cello and Piano

Works by Rachmanino­v et al Reiner Ginzel (violoncell­o), Gitti Pirner (piano) Hänssler Classic HC23009

There is much to enjoy on this congenial album of 19th-century works, but with recorded blend weighted towards the cello, there’s a lack of pianistic coolness to balance out Reiner Ginzel’s generous vibrato. The cello also lacks true elegance where required. (CS) HHH Reviewers: Michael Beek (MB),

Jeremy Pound (JP), Charlotte Smith (CS),

Steve Wright (SW)

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