Classic Porsche

THE FINAL SAY

This issue’s closing comment.

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Before a myth: I wax the lyrical claim from about some how good quarters my that 356 is, a 356 let’s is debunk too small to be used as a practical Porsche. Wrong. I’ve owned my 1964 SC for twenty-five years, and in that time, it’s been used to carry me, my cameras, my camera support equipment (generators, tripods, lighting gear etc.) and whatever else I need to do my job. Whether I’m taking photos of cars at home in the United Kingdom or visiting specialist­s in mainland Europe, I’ve never had a reason to doubt the ability of my 356 to get me and my possession­s to and from wherever I need to be.

The roof rack helps, of course. My tent fits snug on there, but it’s not as though I struggle for space inside the car, even when it’s carrying loads of camera kit. I’m more than six-foot tall, but my head doesn’t awkwardly bash the car’s roof, and with the seat pushed back, I’ve got plenty of legroom.

My 356 is a quick car, too. Granted, it’s not fast by today’s supercar standards, but it doesn’t half shift! The 1.6-litre flat-four engine is brilliant, although it’s fair to say the uprated Koni dampers, wide Fuchs sixteen-inchers and staggered profile rubber helps to maintain speed in corners. The active subwoofer under the passenger seat? Less so. I COULD SEE THE POTENTIAL FOR A SPEEDSTER AS A COMPETENT PHOTOGRAPH­ER’S ASSISTANT I first considered buying a 356 after seeing a Speedster advertised in the American edition of Exchange & Mart when I was working on a Max Power magazine photo shoot in California almost three decades ago. Excited by what I was looking at in print, I went to view the car in the metal. Truth be told, I didn’t like the shape of it, even though I could see the potential for a Speedster to perform as a competent photograph­er’s assistant (the removable windscreen and open-top would have been useful for tracking shots). I did like the look of the immaculate red 356 coupe in the same dealer showroom, though, which is why I bought the first red SC I test drove after arriving back in Britain.

That probably wasn’t the best idea. A subsequent profession­al inspection of my new Porsche highlighte­d poor compressio­n and shoddy brakes. I commission­ed a full engine rebuild and a refresh of all other mechanical components. All told, the work cost me almost as much as I paid for the car.

Looking back at the way classic Porsche prices have shot up in recent years, that was undoubtedl­y money well spent, but I’ve never treated my 356 with kid gloves. I bought it before the boom in interest surroundin­g Porsche’s air-cooled output, which means I had no qualms about moving away from factory specificat­ion at a time when an old 356 wasn’t worth all that much money. Consequent­ly, the car is lowered, de-badged, it’s fitted with a stupidly loud centre-exit exhaust system and aftermarke­t audio equipment (you can take the boy out of Max Power...). The car’s bodywork shows signs of regular use, including a creased bonnet where the panel suddenly lifted while I was driving along at 70mph. Oops.

I use the car in all weather. What’s more, I kept it outside on my driveway for nineteen years. Despite sustained exposure to the elements, this brilliant two-door from Stuttgart has yet to miss a beat with me in the driving seat racking up more than 30k miles following the necessary remedial work carried out many moons ago. Of course, I own other cars (newer, bigger, faster cars), but none of them put a smile on my face quite like this little red 356. It’s a quick and, dare I say it, practical Porsche!

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 ??  ?? Andy Tipping is one of Classic Porsche’s longest serving photograph­ers. Known to many as one of the key figures behind
Max Power magazine, he’s a Porsche nut in possession of a 356 SC he’s owned for the past quarter century.
Andy Tipping is one of Classic Porsche’s longest serving photograph­ers. Known to many as one of the key figures behind Max Power magazine, he’s a Porsche nut in possession of a 356 SC he’s owned for the past quarter century.

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