Food and Travel (UK)

The Codfather

A city resisting revolution, Lisbon is sticking to its culinary guns. Alex Harris crisscross­es the city for custard tarts and cherry brandy, but can’t slip the man whose family has salted cod for generation­s

- PHOTOGRAPH­Y BY LAURIE FLETCHER

Alex Harris tastes the Portuguese capital’s most delicious secrets

Lisbon is a capital experienci­ng ‘the change’. In an age of city uniformity, with facsimiles of hipster trends springing up all over the globe, it’s refreshing to find a place that stays true to its roots while still bending a knee to the crusade of modernity.

It’s a city on the lips of every gastronome and hit list of every Europhile. It’s exciting, challengin­g and racking up the Michelin stars. It’s bright and bold. Like Barcelona was a decade ago. So grab your bottle of piri piri sauce and strap yourself in. Lisbon is on the move but in no rush to get anywhere.

Truth be told, it’s moving molasses-grade slow. For all the famous pan-slingers putting Lisbon’s modern food scene on the map – and there are some big names, indeed – the roots of tradition run deep. As I arrive in one of the city’s squares, amid the pulsating throng of both locals and tourists, I can immediatel­y see why this heritage is so hard to weed out. Everyone is busy performing one of the city’s most traditiona­l pastimes: lunch.

Petiscos (in Portugal S is pronounced ‘sh’ – now get your mouth around that word) is Lisbon’s answer to light, tapas-style bites. Most of it is deep-fried and siesta-inducing heavy. Lisbonites and out-of-towners lean over the glass counters of tiny shops, picking one breaded snack or another. Everyone shares bolinhos de bacalhau (salt cod croquettes), it’s a dish that defines a restaurant and everyone has their favourite.

‘We use all of the cod,’ says Luís Godinho, who runs Manteigari­a Silva, one of the oldest shops in the downtown area Baixa. ‘It’s now salted elsewhere but we used to do it right here.’ The shop has been in his family for more than 100 years and remains one of the city’s favourites. If Don Corleone traded fish, this would be his HQ.

Some of the best food is born out of poverty, a necessity for frugality that demands creativity – Spanish paella, Italian arancini and soup are all peasant dishes – and preservati­on: pickles, anything Scandinavi­an. Lisbon has dried salt cod. Designed to last through winter, it’s lasted centuries. At Luís’s deli, they vacuum-pack it for you, which is quite useful if you plan on taking any home – the smell can certainly take some getting used to.

A glance at most menus and family dinner tables will leave you thinking it’s the only thing they eat. ‘Bacalhau has a recipe for every day of the year,’ the deli workers tell me. Attempting to swerve this fish here is like going to Burgundy and trying to avoid butter.

Lisbon’s cobbled streets take you through a pastel smorgasbor­d of buildings, replete with colourful doors and those unmistakab­le azulejo tiles. At full tilt, the unforgivin­g Portuguese sun reflects off pavements and buildings to almost bleach out the city, and this is especially true on hazy days. It is best observed when either the lark rises or during the golden hours before sunset. The subtler light reveals a riot of colour, enhancing the terracotta rooftops and picking out the yellow walls and blue walls.

This is my observatio­n the next morning over my brunch of coffee and samosa – the latter an acquisitio­n from Portuguese Goa. I’m lining my stomach. Equally, Lisbon is for knocking back a few glasses of ginjinha, the local cherry liqueur, and I plan to go native. Punctuatin­g many of the squares and streets are tasquinhas, humble holes in the wall in which you’ll find dapper older men slurping on their ginjinhas. Sour, highly fermented and unpalatabl­e to some, the men are nonetheles­s apt to greet you warmly if you drink with them. ‘Eat the cherry,’ one barks at me. The liqueur is delicious.

It’s wonderfull­y European and at odds with Lisbon’s Euroscepti­c bent. This allure is compounded when you travel between districts with that unique, warming buzz that comes from shotting something when you should be at work. Though watch out for the trams.

Tramming is best treated as a spectator sport, unless you want an immersive tinned-sardine experience akin to Lisbon’s famously colourful canned fish shops. Consider the 28 a no-go; it’s the most popular and always far too full. The 25 is better. However, all of them are better observed than ridden. There’s something profoundly symbolic as the rickety carts intersect graffiti-lined streets, oversized yellow toys festooned with Irish whiskey adverts, somewhere between Nineties Brooklyn and modern-day Berlin.

Lisbon’s architectu­re is defined not only by its tiles and colours but by disaster, too. Most of the old city was completely destroyed by the 1755 Great Lisbon Earthquake and the subsequent tsunami and fires. Few pre 18th-century buildings survive but the ones that do, particular­ly up in Alfama, are worth seeking out.

Here even 12th-century buildings are in evidence. Some memories of the earthquake reverberat­e still: Rua Da Regueira is worth a visit, if only to find the two buildings leaning to create one of the narrowest alleys in Europe. You probably won’t want to linger in what is one of Lisbon’s most

touristy areas, though. Find the old Jewish quarter and stop off at the newly opened Jewish museum while you’re here but then head to the other hills for more exciting fare.

I make my way to the Príncipe Real district where restaurant­s such as Tasca da Esquina – run by much-loved chefs Vitor Sobral, Hugo Nascimento and Luís Espadana – reveal the Lisbon I’ve been expecting, serving up local dishes with modern twists. Here you’ll see the botoxed brows of the great and the good almost rising with delight at dishes like octopus and mushroom. It’s where I eat my favourite dish of the trip: bacalhau à brás, flaked salt cod with fried julienned potatoes bound by a beaten egg. It’s fish and chips meets umami with a pleasing wetness.

Lisbon is also a city for rice. Portugal has the highest consumptio­n of the stuff per capita in the whole of Europe. That means menus will often have multiple rice dishes and it can be difficult picking just one. Generally they’ll be wet, soup-like rices such as arroz de marisco, which is more like a rice-laden fish stew. It’s heavy and delicious and the portions can often be overwhelmi­ng. These are cheap, old-school meals that are best shared.

Lisbon’s history permeates these foods. Both the Moors and Romans left many influences. The time of The Discoverie­s brought back a multitude of exotic ingredient­s and, with it, the city’s obsession with coffee. But we’re not here to dwell on the past.

Conversati­ons of gastronomi­c modernity inevitably lead to the Mercado da Ribeira. Here you can eat onglet or chicken innards at the stall of revered cook Miguel Castro E Silva. Or grilled octopus from Henrique Sá Pessoa. These are chefs with Michelin stars serving up simple street food to locals. It’s aiming quite hard to be hipster and perhaps missing the target, hitting something closer to sterilised school hall. But the appeal to Lisbon’s young is palpable: from midday the place is packed to the white metal rafters.

Those with trendy bars in mind would be remiss not to nip around the corner to visit Pink Street, a road once the haunt of sailors and ladies of the night but now the hottest part of town for cocktails and wine bars. Expect locals spilling out on to the streets: Lisbon’s bars are deliberate­ly small to encourage street bonhomie.

Just like the Spanish, the Portuguese dine quite late. ‘Eat at 7.30pm and you’ll be surrounded by tourists,’ one hotelier advises me. ‘If you want to eat with people from Lisbon, then go out about 8.30-9pm.’ It is a city that never sleeps. Or at least one that goes to bed late, perhaps after just a

little too much wine. And Portuguese wine is grossly underrated. There’s good moscatel, obviously. But some solid dinner wines too. Touriga nacional is considered this region’s finest. The low-yield grapes are small, with a high skin-to-pulp ratio that delivers an aromatic, high-tannin red. I’d definitely recommend stuffing your suitcase with a few bottles of 2014 Quinta do Piloto touriga nacional, which was the best bottle of the trip. It’s cheap and could easily accompany the finest of fine dining. It’s worth paying a visit to the vineyard itself too: it can be found just south of the city.

Looming over Lisbon’s top-end dining scene is Michelin-star chef José Avillez – proprietor of five of Lisbon’s best restaurant­s. Mini Bar Teatro, a theatre-style eatery, is a real treat, serving up delicate takes on petiscos. Avillez’s time under Ferran Adrià at elBulli is immediatel­y obvious: spherified olives and frozen margaritas nod to his molecular creativity, while the gutsy dishes such as beef shin on polenta mash remind you of his love for local traditions. I later learn over dessert that Avillez’s restaurant­s get their salt cod from my friend Luís back at Manteigari­a Silva.

Food is intrinsic to culture and never far from religion. In Lisbon, though, the desserts are positively biblical. Many of those you’ll find on restaurant menus and in shop windows

are doce conventual, literally covenant sweets – eggy puddings that originated in convents where nuns seemingly had nothing else to do but make use of their abundance of chickens and sugar. However, its most divine is arguably Portugal’s most famous export, the pastel de nata. The Cristiano Ronaldo of custard tarts came from equally as humble beginnings as the footballer.

The best ones – and they are the best, don’t let any contrary local hipsters tell you otherwise – are found not under the light of a Michelin star but in Pastéis de Belém, a pastry shop just outside Lisbon. Visit the Jerónimos Monastery where Belém’s original pastel de nata recipe was born in 1837, and remains unchanged today. God has a sweet tooth, it seems. And so do the Portuguese: Pastéis de Belém shifts up to 20,000 tarts a day.

Four tarts deep, I learn from the proprietor that the full recipe is kept under close guard and only three pastry chefs at one time (and the family that owns the bakery) know the secret. It’s testament to the place’s authentici­ty that despite its enormous tourist draw – queues literally wind down the street – you’re still surrounded by locals. One patron interrupts and starts telling me about the tart’s ecclesiast­ical heritage. I’ve heard it already but I love his enthusiasm.

If his English is broken, my Portuguese is anaemic. However, I do learn that Jesus loves a party. The festivals of Saints Anthony (12-13 June) and Peter (29 June) make for decadent street feasts and are the best times to visit Lisbon, he says. Plus he tells me that the Portuguese word for grace – graca – can also mean fun. It almost seems like religion is just an excuse to eat more.

Speaking of eating more, we have lunch nearby at Nunes Real Marisqueir­a, a seafood restaurant populated entirely by locals. Lisbon has an abundance of shellfish in its waters and places like this take full advantage of them. There’s a dizzying array of prawns, lobster, winkles and clams all served up with wet rice dishes and moreish bread. If you’re in Belém, eating at this stalwart is a must.

Lisbon, like many European hinterland­s but unlike most capitals, still puts up a resistance to globalisat­ion and homogenisa­tion. It welcomes tech start-ups and doesn’t cover over any worthy street art. Big-name chefs may be bringing worldly cuisine and exciting ideas but true Lisbonites still clutch vice-like to age-old recipes and even older traditions. It really is a picture of old-meets-new.

Scouting for recommenda­tions, I’m told by an enthusiast­ic vineyard owner that an unassuming restaurant called Granja Velha is where true locals like to lunch. We find

Alex Harris and Laurie Fletcher travelled to Lisbon courtesy of Visit Lisbon. visitlisbo­a.com

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Filipe Cardoso of Quinta do Piloto; the rolling hills of Quinta da Romeira vineyard. Opposite page, clockwise from top left: Azeitão sheep’s milk cheese; the sour, semi-soft...
This page, clockwise from left: Quinta do Piloto winery; Ana Marta Cardim and Filipe Cardoso of Quinta do Piloto; the rolling hills of Quinta da Romeira vineyard. Opposite page, clockwise from top left: Azeitão sheep’s milk cheese; the sour, semi-soft...
 ??  ?? Opposite page, clockwise from top left: ginjinha cherry liqueur; the bitter drink is poured; berries ferment in alcohol; it is readily available; drinking at a tasquinha; salt cod fritters; clams at Granja Velha; rustic tiles; tinned sardines
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Opposite page, clockwise from top left: ginjinha cherry liqueur; the bitter drink is poured; berries ferment in alcohol; it is readily available; drinking at a tasquinha; salt cod fritters; clams at Granja Velha; rustic tiles; tinned sardines I‘ ’d...
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 ??  ?? This page, clockwise from top left: grand Palacete Chafariz D’El Rei; cataplana (fish stew) at Hotel do Sado; entry to Palacete Chafariz; moody interior at Mini Bar Teatro; Manteigari­a Silva’s José Branco; salt cod croquettes; a glass of local wine
This page, clockwise from top left: grand Palacete Chafariz D’El Rei; cataplana (fish stew) at Hotel do Sado; entry to Palacete Chafariz; moody interior at Mini Bar Teatro; Manteigari­a Silva’s José Branco; salt cod croquettes; a glass of local wine
 ??  ?? Clockwise from left: terracotta rooftops; Can The Can chef Akis Konstanidi­s; brightly coloured exteriors; views towards Castelo de São Jorge; Praça do Comércio, Opposite page, clockwise from top left: boats bob in the harbour at Setúbal; fresh...
Clockwise from left: terracotta rooftops; Can The Can chef Akis Konstanidi­s; brightly coloured exteriors; views towards Castelo de São Jorge; Praça do Comércio, Opposite page, clockwise from top left: boats bob in the harbour at Setúbal; fresh...
 ??  ?? Above, from left: street art devoted to the city’s food scene; inadverten­t colour coordinati­on; a tram passes through Praça do Comércio
L‘ isbon’s architectu­re is defined not only by its tiles and colours but by disaster, too. Most of
Above, from left: street art devoted to the city’s food scene; inadverten­t colour coordinati­on; a tram passes through Praça do Comércio L‘ isbon’s architectu­re is defined not only by its tiles and colours but by disaster, too. Most of
 ??  ?? Below from left: a mural depicts an old fishing scene at a market in Setúbal; graffiti covers the crowded trams that run through the streets
Below from left: a mural depicts an old fishing scene at a market in Setúbal; graffiti covers the crowded trams that run through the streets
 ??  ?? This page, clockwise from left: a plate from Nunes
Real Marisqueir­a is quickly devoured; one of its seafood dishes; trams climb the steep hills; Jerónimos Monastery in Belém; Bairro do Avillez’s blue-hued dining room. Opposite page, clockwise from top...
This page, clockwise from left: a plate from Nunes Real Marisqueir­a is quickly devoured; one of its seafood dishes; trams climb the steep hills; Jerónimos Monastery in Belém; Bairro do Avillez’s blue-hued dining room. Opposite page, clockwise from top...
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 ??  ?? Clockwise, from left: salt cod is piled high; Manteigari­a Silva deli; owner Luís Godinho; Praço do Comércio; a bold red
Clockwise, from left: salt cod is piled high; Manteigari­a Silva deli; owner Luís Godinho; Praço do Comércio; a bold red
 ??  ?? Below, from left: Denegro chocolates; a bright and tempting selection box; cocktails at Bastardo’s bar; the restaurant’s Renaissanc­e-style menu
Below, from left: Denegro chocolates; a bright and tempting selection box; cocktails at Bastardo’s bar; the restaurant’s Renaissanc­e-style menu

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