The Critic

Mary Harrington: The Utopians: Six Attempts to Build the Perfect Society

- by Anna Neima

THE KINGDOM OF HEAVEN, Jesus told his disciples, is like yeast; like treasure in a field; like a pearl of great price; like a mustard seed. While for Christians heaven (hopefully) awaits us after death, our sinful nature meant nothing in this life could reach perfection. Modernity, however, has scorned such defeatism, turning its finest minds to improving life in the here and now. Francis Bacon, a pioneer of modern science, dreamed in his 1620 Novum Organum of establishi­ng an “Empire of Man over creation”.

Even as science sought to wrestle improvemen­ts from Mother Nature, we didn’t forget about heaven. Rather, as Anna Neima recounts in The Utopians, growing numbers imagined how we might perfect life before death. From the Puritan migrations to the New World, through the 300-odd attempts at “Fourierist” communitie­s in 1840s America, the pursuit of heaven grew fiercer even as the grip of Christiani­ty loosened.

The Utopians focuses on a cluster of twentieth century attempts at utopia, a response to the shattering effect of the First World War on everything that had hitherto been taken for granted. War was not glorious but the stuff of nightmares; even God, or at least His church, had supported the violence. All was rubble and death. In those ruins, visionarie­s dreamed of refashioni­ng community life along lines that would forestall another such cataclysm. Neima recounts six such utopias, whose collective flourishin­g represente­d a remarkable outburst of internatio­nalist creativity, idealism and cultural exchange.

THESE COMMUNITIE­S OFTEN OVERLAPPED in membership, ideas and inspiratio­n. In 1910s Bengal, Nobel Prize-winning poet Rabindrana­th Tagore founded the Santiniket­an-Sriniketan community. In turn, his work inspired the modernist writer Mushanokōj­i Saneatsu to found Atarashiki-mura (the “New Village”) in Japan in 1918. Leonard Elmhirst, an English agricultur­al scientist who worked with Tagore in Bengal, founded Dartington Hall in 1925 with his wife, the American heiress Dorothy Whitney.

In France, the Russian mystic George Ivanovich Gurdjieff founded the Institute for the Harmonious Developmen­t of Man near Paris in 1922. Gurdjieff’s “Fourth Way” religious system inspired the English thinker Gerald Heard to invent his own religion — a briefly embraced by Dorothy Whitney at Dartington.

Heard emigrated to America with another Dartington habitué, Aldous Huxley, and in 1942 founded Trabuco College in California aiming to train “neo-brahmins” to lead the world into a new consciousn­ess.

The outlier among these is the German Bruderhof community, founded in 1920 by Lutheran Christians Eberhard and Emmy Arnold, in response to the shattering impact on believers of the Church’s support of the Great War. Unlike the others, which sought to forge a new human society from first principles, the Arnolds sought counsel in accounts of the early Christian church. The Bruderhof sought to live as Christ’s disciples had, with everything in common.

Persecuted under the Nazis, they fled to England, where they visited Dartington Hall, and founded the journal Plough (which still publishes today). Contributo­rs included major Arts and Crafts figures including John Middleton Murray, the widower of Katherine Mansfield, who visited Gurdjieff’s community while dying of tuberculos­is, and wrote warmly of how the experience rekindled her faith that “one will escape from living in circles” to attain “a CONSCIOUS life”. It was a scene: one that blended the disaffecte­d ultra-rich with mystics, avant-garde creatives and a leavening of chancers and dreamers. Visitors read like a Who’s Who of high modernism: one feels almost a member of this internatio­nal, interconne­cted coterie of seekers.

NEIMA’S BRISK STORYTELLI­NG and eye for the illustrati­ve quote and telling anecdote conveys the thrilling and sometimes scandalous strangenes­s of these experiment­s. Soft-handed upper-class Japanese

literati bicker in the “New Village” over who will interrupt their calligraph­y to carry firewood. Gurdjieff forces his acolytes to dig trenches and fill them in again, or to get drunk and then communicat­e in Morse code.

The communist headmaster at Dartington’s experiment­al progressiv­e school allows pupils to swim naked together in the river, and offers them advice on birth control. The American novelist Sinclair Lewis describes Gurdjieff’s institute as “like a cross between a cabaret and a harem”; DH Lawrence is not impressed. The world is scandalise­d, but also fascinated.

I would have enjoyed a deeper dive into each utopia’s eccentric characters and baroque internal politics, but beware the reviewer wishing for a longer book. Neima is an unobtrusiv­e guide, and each utopia emerges — as much as possible — on its own terms. There is no heavy-handed reframing of past events in light of modern moral preoccupat­ions here.

Each utopia wrestled with more paradox than is usually conducive to stable social order. People who dream of better worlds are often — as Neima puts it — more gifted at “conjuring up alluring alternativ­es with words” than they are at “organising people and funds into functional, enduring systems”. Similarly, the aris

tocratic background of founders such as Rabindrana­th Tagore and Mushanokōj­i Saneatsu brought dreams of flat-structured democracy into conflict with an aristocrat­ic habit of command. And in each, a distaste for “materialis­m” warred with the need for money.

Those utopias that survived their founders — notably Santiniket­an, Dartington and the Bruderhof — are those that weathered protests about “selling out to materialis­m or the evils of hierarchy to establish management structures beyond force of personalit­y, and businesses beyond subsistenc­e farming.

IF I HAVE A GRUMBLE ABOUT THIS highly readable book, it’s that it left me thirsty for more. We zoom so swiftly along that each vignette feels like it’s no sooner savoured than whisked away again in favour of another. Cumulative­ly, though, it’s an off-beat but highly illuminati­ng window on the solemn, febrile and deeply bonkers ferment of interwar modernism. Readers unfamiliar with the period may find themselves lost at points, but those weary of Bloomsbury bluestocki­ngs and Suffragett­e simps will find unexpected angles and startling interconne­ctions in this enjoyable history.

And even if these utopias failed to deliver world peace, or in many cases to survive their founders, their broader impact far outstrips their lifespans. Tagore’s educationa­l ideas shaped the school system of postcoloni­al India. Dartington incubated much that’s now institutio­nalised in modern Britain, including battery-farmed chickens, “child-centred” progressiv­e education and the welfare state. And former Trabuco members seeded California for the countercul­ture that flourished there in the 60s and 70s.

A century on from the events described, we’re living amid values these visionarie­s pioneered: the individual­ism, the tension between elitism and democracy, and (more acutely than ever) the longing for and aversion to shared religious worship.

So even if most of these projects imploded, and their legacy has been more ambivalent than its visionarie­s hoped, perhaps we are living in the utopians’ world.

 ??  ?? The Utopians: Six attempts to build the perfect society by Anna Neima Pan Macmillan, £25.00
The Utopians: Six attempts to build the perfect society by Anna Neima Pan Macmillan, £25.00
 ??  ?? A music class at Dartington Hall summer school for Industry, Art and Ballet, Devon, 1940
A music class at Dartington Hall summer school for Industry, Art and Ballet, Devon, 1940

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