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The Critic
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2021-07-01
Power without pain
The incestuous sins of the soixante-huitards
Seamus Flaherty: Identity, Ignorance, Innovation: Why The Old Politics Is Useless and What To Do About It
Goodbye to the Blonds
Rogue Male
Laureate of Western decline
The YA boo gang
Frenzy in the Fens
In search of Gorbachev's roots
When is a rape not a rape?
Oliver Wiseman: Biden's hyperbole risks derailing his voting reform bill
Back to the future
Publish — or be damned
Sounding Board
Serious business
Olympic Games
Economics
Jonathan Meades
Mrs May: my part in her downfall
Christopher Silvester: Bugsy Siegel: The Dark Side of the American Dream
Robert Meakin: Shakespeare Spelt Ruin: The Life of Frederick Balsir Chatterton
Kit Wilson: The Unbroken Thread: Discovering the wisdom of tradition in an age of chaos
Peter Lilley: La Grande Illusion: Journal Secret de Brexit
Mary Harrington: The Utopians: Six Attempts to Build the Perfect Society
John Self: Sorrow and Bliss by Meg Mason; Assembly by Natasha Brown; Trouble
Putting the Boot in
Where are the Conservative novelists?
The Venice Architecture Biennale
My woke world
Romeo Coates
Man about town
Dilyn the dog
David Starkey
Graham Stewart: Doom: The Politics of Catastrophe
Roland Elliott Brown: Assignment Moscow
Roger Kimball: Waugh on Wine
Nick Cohen: Putin's People
Eating In
Root and Branch
Country Notes
Norman Lebrecht
Adam LeBor
Michael Henderson
Sarah Ditum
Anne McElvoy
Christopher Silvester
Robert Thicknesse
Michael Prodger
Samuel Beckett
Alan White picks his fantasy football team
Boris Starling on the British Lions tour to South Africa
Patrick Kidd returns to Lord’s
DOUBLE STANDARD
PEKING DUCKED
Heads: you lose
Handbags and gladrags
Etta Parsloe
The Piedmontese job
English
United Kingdom
Art
Music
The Critic - 2021-06-01
The Critic - 2021-08-01