International Artist

Suzi Zefting-kuhn

New York, USA, I Have My Eye On You, pastel, 33 x 26" (84 x 66 cm)

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My Inspiratio­n

I have been working on a series of animal portraits in pastel for the past five years and never visit a zoo without my camera in hand. The more I study animals I realize they each have a soul as we do. They can be quite expressive as well. During a visit to the Cheyenne Zoo in Denver, Colorado, with my best friend of almost 50 years, this particular giraffe caught my eye. The giraffe was in solitary and the juxtaposit­ion of the wall behind him/her and the rectangula­r shapes of the brick against the geometric shapes on the skin of the giraffe really captured my imaginatio­n. I instantly knew this would be a painting when I arrived home.

My Design Strategy

The rectangula­r bricks behind the giraffe and the geometric shapes on the animal created the design for me. I had taken numerous photo references with different positions of the giraffe’s head. I chose the profile reference photo, as it seemed to contribute to the strong design of the painting.

My Working Process

I work on Uart sanded paper (400 grit) when using pastels to paint animals because it can accommodat­e a number of layers of pastel. I like the textural effect you can get with the medium. I find having the images on my ipad to be very useful during the painting process especially if I need to enlarge a specific area for a better look. I draw my subjects freehand. I begin by using pan pastel and the pointed applicator tool. I find this keeps me looser in the beginning. I get the general shapes down and then switch to a Caran d’ache pastel pencil to draw the details. When I am satisfied with the drawing, I begin painting the darks with my Richeson hard pastels and harder of my soft pastels (Girault). I gradually move to the lighter areas still using the Giraults. Once the surface is covered I move to softer pastels (Terry Ludwigs) and continue to work up the layers. I revert back to the Caran d’ache pastel pencils to get into the fine detail work in the eye and mouth area. I tap the completed pastel over a large trashcan to release any loose pastel. I do not use spray fixative.

Contact Details

» Email: suzi@suzizeftin­g-kuhn.com » Website: www.suzizeftin­g-kuhn.com

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