Straight from the Best

International Artist - - Contents -

One of the won­der­ful things about the artist com­mu­nity is the length artists will go to help one an­other. By help­ing I mean share tech­niques, of­fer ad­vice, give hon­est cri­tiques or pass on knowl­edge about a cer­tain brush or kind of paint. And I see this hap­pen­ing at the art events I at­tend around the coun­try. In fact, I would say that most art events I at­tend end in the same fash­ion—with all the artists sit­ting around a fire­place, a ta­ble, an easel, a bar stool or any com­bi­na­tion of these and shar­ing this knowl­edge and in­for­ma­tion.

How­ever, not ev­ery artist can at­tend such events or all of these events and that is why we have In­ter­na­tional Artist mag­a­zine. We want other artists to be able to hear di­rectly from some of the best and most ac­tive artists on the in­ter­na­tional stage to­day. We want them to get se­crets, hints, tips and sug­ges­tions di­rectly from these artists and that is why we ask them to write ar­ti­cles for this mag­a­zine. And just as I men­tioned above, ev­ery sin­gle artist hap­pily obliges be­cause this is what they do and they type of per­son they are.

And what is the point for look­ing for this help? Sim­ple. To be­come a bet­ter artist. And that, my friends, is the most no­ble pur­suit there is.

P.S. We have gone to great lengths to pro­vide to you in­for­ma­tion on up­com­ing work­shops around the world in our Art Work­shop Guide, which ap­pears in each is­sue of the mag­a­zine. Look­ing to sched­ule your next work­shop? Then take a lot at that sec­tion and see what you can find! These are truly some of the best work­shops hap­pen­ing to­day.

Sin­cerely, Joshua Rose Edi­tor

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