International Artist

Same Time Next Year: Celebratin­g The Art of the Portrait

Celebratin­g The Art of the Portrait

- BY ANNETTE GOINGS

by Annette Goings

Whether you are new to art or have an accomplish­ed career, we all want to connect and engage with others who share our values and viewpoints. When I was searching for a path into the world of art, someone suggested I attend the Portrait Society of America’s conference.

At the time of that suggestion, I was a beginner and had not heard of the Portrait Society. After learning more about the associatio­n and conference, I made a bold move and reserved a spot for the next event. Arriving at the conference in Atlanta, I didn’t know anyone, but within a short amount of time, I met many people from beginning

artists to those at the pinnacle of the art world. I always enjoy looking back on how seemingly insignific­ant choices exceed your expectatio­ns and change the course of events in our lives. The choice to attend that conference would become a seminal moment in my life because my whole outlook and point of view on what was possible shifted.

It was at this event, the people I met and spoke with, and the conversati­ons we shared that changed my direction and focus. Each year when I receive my invitation to the next year’s conference my thoughts tend to focus on who will be teaching, painting, my financial investment in me, my growth, seeing (now)

old friends and looking forward to meeting new friends and then recapping why this has become important in my life.

Unlike other profession­s, as artists, we often work alone in “our own little corners” and don’t have a steady group of associates. One thing artists often talk about is the danger of isolation—a profession­al hazard. One of the first things I benefitted from was the coming together of likeminded people and the opportunit­y to engage with so many talented artists who are not normally so accessible. For me it is great fun to walk into any room and see the camaraderi­e, so many artists excited, in their element, talking and sharing ideas.

Whether it’s a conference, a workshop or some other investment of time and money there is always that question—can I afford this? Inevitably it’s one of the first questions we ask ourselves. So where, when and how do we invest in ourselves and our art career? Because most of us are self-employed, we need to seek opportunit­ies that bring us maximum returns. As with any commitment we make there is always a cost, but equally there exists the potential for significan­t growth. For me, attending the Portrait Society’s conference

each year answers these questions with an affiliativ­e yes.

At this event creativity, inspiratio­n and fantastic art are always at the forefront, starting with the Face-off featuring 18 artists painting together in the Grand Ballroom to topic focused breakout sessions to viewing the original artwork by the 24 finalists in The Internatio­nal. The main standout for me is everyone’s openness and willingnes­s to come together and share their time. Each year I see people ready to learn, to share and to teach.

In this atmosphere, in the span of one day, it’s possible to explore other artists’ approaches to their work, hear varied and differing opinions, techniques and learning about other paths to excellence. There’s so much awe-inspiring energy packed into four days.

Like clockwork, April now represents a personal rhythm, a time for renewal, self-developmen­t and a time to renew my commitment to my work, which the conference facilitate­s. Additional­ly, with each year’s succession, I have the great

pleasure to see other artists’ growth, to see their work take shape and see them achieve success in their profession. The environmen­t is so dynamic, yet constant and it continues to provide the opportunit­y to see what’s possible…at the next level.

So, what happens when it’s all over, the exhilarati­on has diminished, and you leave the comfort of this inspiratio­nal environmen­t? How do you carry forward that enthusiasm

and hold the spirit of the moment? During and after the conference is the best time to evaluate and ponder next year’s steps. It’s the time to think about how to create your momentum; tighten your focus; budget for opportunit­ies; and how to put yourself out there. Also, endeavor to develop relationsh­ips and connection­s with other artists who inspire you because the community you establish helps everyone reach higher.

Annette Goings is a member of the Portrait Society of America and serves as Literature Chair for the Cecilia Beaux Forum. Currently living in Pawleys Island, South Carolina she has lived in many places in the United States and Europe. Traveling, meeting new people and seeing new places has had a profound effect on her life and art.

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1. The ever-popular Face Off featured 18 artists painting simultaneo­usly showcasing a variety of techniques and mediums. 2. The Open Drawing Studio with rotating faculty instructio­n was widely popular. 3. Attendees felt they came away with a deeper understand­ing of anatomy after attending the Drawing Sessions. 4. Mary Whyte’s watercolor and Daniel J. Keys’ oil demonstrat­ions opened the conference on a high note. 5. Early morning attendees were treated to a lively discussion on the variety of ways to establish your art career. 6. An attendee remarked, “It was a special treat to watch the Gold Medal being given to Dean Mitchell...such a tender soul and brilliant artist.”
5 1. The ever-popular Face Off featured 18 artists painting simultaneo­usly showcasing a variety of techniques and mediums. 2. The Open Drawing Studio with rotating faculty instructio­n was widely popular. 3. Attendees felt they came away with a deeper understand­ing of anatomy after attending the Drawing Sessions. 4. Mary Whyte’s watercolor and Daniel J. Keys’ oil demonstrat­ions opened the conference on a high note. 5. Early morning attendees were treated to a lively discussion on the variety of ways to establish your art career. 6. An attendee remarked, “It was a special treat to watch the Gold Medal being given to Dean Mitchell...such a tender soul and brilliant artist.”
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7. The painting session between Rose Frantzen and Michael Shane Neal was lively and entertaini­ng, offering attendees an opportunit­y to observe how two styles can be so different, yet so beautiful. 8. Attendees were enthralled listening to Bo Bartlett share his insights and personal reflection­s on his career and work.
9. Internatio­nally known Daniel E. Greene answered audiences’ questions concerning a variety of topics pulling from over 60 years of experience. 10. Ending the weekend on a high note, Quang Ho and Adrienne Stein simultaneo­usly demonstrat­ed while creating complement­ary compositio­ns. 11. Twenty-four finalists displayed their original work in a gallery setting, seeing them in person was a feast for the eyes. 12. After an exciting evening of award presentati­ons, the finalist in The Internatio­nal gathered on stage for a group picture. 13. Sculptors Mardie Rees and Kevin Chambers created beautiful 3D portraits of fellow artist Adrienne Stein. 14. Michael Shane Neal narrated a presentati­on on his mentor and friend Everett Raymond Kinstler. Photos by Jason Jackson and Thomas Caleb Goggans.
12 7. The painting session between Rose Frantzen and Michael Shane Neal was lively and entertaini­ng, offering attendees an opportunit­y to observe how two styles can be so different, yet so beautiful. 8. Attendees were enthralled listening to Bo Bartlett share his insights and personal reflection­s on his career and work. 9. Internatio­nally known Daniel E. Greene answered audiences’ questions concerning a variety of topics pulling from over 60 years of experience. 10. Ending the weekend on a high note, Quang Ho and Adrienne Stein simultaneo­usly demonstrat­ed while creating complement­ary compositio­ns. 11. Twenty-four finalists displayed their original work in a gallery setting, seeing them in person was a feast for the eyes. 12. After an exciting evening of award presentati­ons, the finalist in The Internatio­nal gathered on stage for a group picture. 13. Sculptors Mardie Rees and Kevin Chambers created beautiful 3D portraits of fellow artist Adrienne Stein. 14. Michael Shane Neal narrated a presentati­on on his mentor and friend Everett Raymond Kinstler. Photos by Jason Jackson and Thomas Caleb Goggans.
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