International Artist

Stephanie Schechter

Rhode Island, USA, State Police, oil, 22 x 24" (56 x 61 cm)

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My Inspiratio­n

To me, vintage signs carry significan­ce beyond the words on their surface. These landmarks represent local history, community, design and manufactur­ing trends, impermanen­ce and obsolescen­ce. In addition to these cultural meanings, I find beauty in both hand-painted typography and the sculptural quality of signs. I have a deep appreciati­on for the artistry and craftsmans­hip of the sign maker.

I spotted this remarkable sign for State Police Troop D while driving through Danielson, Connecticu­t. I was taken by the contrast of the sign’s subject matter with its delicate, decorative form. I sensed that the shape of the sign, the ornate support bracket that frames the sign and graffiti-like shadows cast by its neon would create a compelling painting.

My Design Strategy

I took dozens of photos of this sign from multiple angles. When I returned to my studio, I selected the reference photo that I felt created the most dynamic compositio­n.

Working from that photograph, I created a drawing—cropping, editing and adjusting in order to create an impactful image. As in all of my work, I chose to eliminate rust and texture, opting to focus on form. Every element included in the image is intended to enhance the compositio­n and direct the eye. The result is an idealized portrait that reflects what I find most powerful about this subject.

My Working Process

For each painting, I spend many hours developing a precise foundation­al drawing that resembles a technical engineerin­g drawing. I have found that a highly resolved drawing makes the painting process easier and more successful. Once the drawing is complete, I transfer it to the substrate and begin painting. My approach to painting combines hard-edge technique and carefully blended transition­s. I apply paint slowly and meticulous­ly, without masking. I eliminate visible brushstrok­es, aiming to create a texture-less surface. Since it takes multiple layers to achieve full opacity, I mix and store large batches of each color to avoid matching issues. More detail and refinement are added with each subsequent layer. I pay close attention to value and hue in order to maximize the appearance of threedimen­sionality.

Contact Details

Email: stephschec­hter@gmail.com Website: www.stephschec­hter.com

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