International Artist

Edouard Manet paints Claude Monte and his wife Camille in his studio boat

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STAGE 1 DRAWINGS

Individual drawings were made and moved around to determine the best compositio­n. This one was unbalanced. The paint box’s new position required reverse direction, so I photocopie­d it to tracing paper, then photocopie­d that upside down to copy paper.

STAGE 2 BACKGROUND­S

All background areas were painted first so that foreground painted edges had precedence.

STAGE 3 BACKGROUND REFERENCES

The far distant background reference came for a number of Monet’s paintings.

STAGE 4 LIGHTS THEN DARKS

Way back in college, our art teacher said, “I like to paint the lightest and darkest areas first so I may balance each successive tone with accurate comparison.”

STAGE 5 BEGINNING MY STAGES

Various first stages commence: the “house” and awning, the oars’ concentric waves with reflection­s, and shadowing. I later realised that the straight line shadow of the awning should be wavy. All the way through it was think, think, think about shadow angles and strengths, reflection­s in the water, structure of the boat, correct perspectiv­e of the feet and more.

STAGE 6 THE REPLICA

Here the “replica in perspectiv­e” of Manet’s painting is almost complete and I leave it that way, the paint box, stool, one boy, awning support, Manet’s palette and skin color underpaint­ing are on the way.

STAGE 7 ALMOST DONE

Nearly everything except the skin and clothing areas are developed.

STAGE 8 COMPLETED WORK

Edouard Manet paints Claude Monet and his wife Camille in his studio boat, oils on canvas 76 x 101 cm (30 x 40") Portraits, clothing, altered shadow angles and strengths, varying color tones, completion of lady rowers and plants among the grass. The collage of Monet’s own painting of the studio boat has been added along with the painting title for viewers unaware of who’s who. The expression on Manet’s face and his posture suggest that the boys may have asked a curious question or made a challengin­g remark. Also, the two women in the rowboat are from a painting by Pierre-auguste Renoir, titled The Skiff (La Yole).

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I posed for Manet’s neck-down reference.
Reference photos I posed for Manet’s neck-down reference.
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The Manet painting was photograph­ed in correct perspectiv­e for the compositio­n.
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