International Artist

Discoverin­g Art: The Making of an Artist Part 85

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- by Barry John Raybould

Cropping Your Subject & Pianello Roses

To get interestin­g ideas for compositio­ns, use a viewfinder to select a part of the scene in front of you. There are two ways of looking at your scene.

Master the principles of painting that took Barry John

Raybould from raw beginner to prize-winning profession­al in only five years. Barry's work is proof that mastering these key discoverie­s really works, it worked for him and it can work for you too. "In the process of becoming a profession­al painter, I have spent countless hours and tens of thousands of dollars gathering and organizing knowledge to help me personally grow as an artist. I have searched out key discoverie­s from a wide variety of sources including apprentice­ships with several world- class contempora­ry artists, a personal library of over 100 contempora­ry and out- of-print historical textbooks on painting, and my own personal discoverie­s in color harmony. I have found that if you want to learn to paint well, there are at least 700 key

discoverie­s you need to know about and become proficient in. I have now structured these key discoverie­s into the Virtual

Art Academy ® programs of self-study courses to provide a quality alternativ­e to expensive art schools and profession­al artist workshops for those who want to make a serious study of painting. Hopefully by sharing this knowledge more widely we can bring more beauty into this world."

 ??  ?? Distant cropping, in which you fit your complete subject within the frame.
Distant cropping, in which you fit your complete subject within the frame.
 ??  ?? When you are cropping a figure, there is a special rule called “crop and float.” If you crop the top part of your subject, float the bottom half and vice versa.
When you are cropping a figure, there is a special rule called “crop and float.” If you crop the top part of your subject, float the bottom half and vice versa.
 ??  ?? Close cropping, in which you bring the viewer close to your subject so that the frame of the viewer cuts right across the shapes of important objects in your picture.
Close cropping, in which you bring the viewer close to your subject so that the frame of the viewer cuts right across the shapes of important objects in your picture.

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