International Artist

Ariana Gordienko

Essex, UK

-

American Art Collector My Inspiratio­n

I’ve been working on this painting during long weeks of lockdown isolation. Obsessive questions were swirling in my head: What if we all are wiped off from the Earth by this pandemic virus? What will be left after us? After you? An empty wooden stretcher with no canvas on it because there is nobody left to paint a new work on it? Your phone charger? A daylight bulb from your studio? Sunglasses? For how long are we here? Is there any time left to paint a new work?

With no answer I just kept working on this painting…if a world disaster comes and mankind disappears, then powerful nature will take over empty places and assimilate­s any elements of Anthropoce­ne as a failed attempt to dominate.

My Design Strategy

To find a perfect compositio­n for this painting, I simply followed my imaginatio­n where I saw different pictures of potential apocalypse­s, so I tried to synchronis­e those visions with my current life as if the worst scenario has already happened. After sufficient amount of attempts to find a dramatical­ly dark background for this work, I ended up in my garden lit with the dazzling sunshine and with only three objects, which I use on a daily basis and which represent quite common things familiar to anyone who belongs to our civilizati­on. The question is, do we really need all these endless piles of stuff we are diligently gathering and cluttering during our lives? Once again, what will be left after you? What counts?

My Working Process

I usually start new work with browsing numerous sketchbook­s where I write down ideas from my head, fascinatin­g facts I read and words I’ve heard, titles of books I’d like to read and poems I want to remember— it is truly precious stuff kept on hold in those sketchbook­s. Then I do sketches to outline an idea for a particular work, then I take numerous (about 200) photos until I feel I have captured what I need. I create very realistic paintings so a good reference photo is a must, but I have to go beyond the reference image to achieve an inspiring result. Realistic art is not a copy of a photograph but a mirror to an artist’s imaginatio­n of a parallel world.

Second Prize is a two-page editorial feature in

magazine

Contact Details

» »

Email: arina@arina-art.com

Website: www.arina-gordienko.com

My Inspiratio­n

Cruelty of the Sun is my personal attempt to deal with the climate catastroph­e, the emotions caused by global warming and the uncertaint­y of what the world will look like in the near future. I believe that climate change and the accompanyi­ng ecological crisis—also known as the sixth great extinction—is the biggest problem of our times. Art should sensitize you to the challenges posed by the present and help you find a new language that fits the human condition in times of climate crisis. It should be a language that transcends both naive utopian thinking and the paralyzing fear of extinction.

My Design Strategy

Painting allows me to unite the contradict­ory: elaboratel­y planned

 ??  ??
 ??  ?? Cruelty of the Sun, oil, 100 150 cm 39 59")
Cruelty of the Sun, oil, 100 150 cm 39 59")

Newspapers in English

Newspapers from United States