EDGE

Street savvy

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While the characterf­ul early screens would lead you to believe every cobbleston­e in the world was placed for artistic impact,

We Happy Few is an entirely different kind of trip for the artists behind Contrast. “It’s challengin­g to come up with ways of putting unique, memorable elements in when you’re not sure where they’re going to [be seen],” Clayton tells us. “All the fiddling to make it just sit where it should – it’s a lot of problem-solving. It’s a good thing our programmer­s are so good! What’s really nice from an art side is that we can get the look and feel of a section that we want and then all the tech people work their butts off to try to match it. I’m lucky that the company here really vibes the art direction a lot, so it’s a priority to get it to look amazing.”

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