Digital Photographer

KICK-START YOUR PHOTOGRAPH­Y BUSINESS

Learn to minimise your start-up costs and make your business profitable from the beginning

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Get advice for running a successful start-up business, with tips on minimising your initial costs

Running a successful photograph­y enterprise in today’s competitiv­e market is a challenge, even for those already establishe­d. Entering the industry, as a startup, is a profoundly daunting endeavour and should only be considered if you have a water-tight business plan and a clear niche to fill. One you have identified your market space, it is essential to map out your required outlay and devise the best ways to minimise your costs. This step should be done with your particular genre in mind, as only then can you selectivel­y cut costs, whilst still fulfilling your client’s requiremen­ts. It is a false economy to reduce outlay by omitting

essential items from your equipment list, which will complicate your daily operations and potentiall­y compromise the quality of the service you offer. There are several key areas that a new working photograph­er can assess for unnecessar­y financial drain, without this occurring.

Firstly, consider buying second-hand gear, at least for use during your first year of trading. Profession­al-level cameras are expensive to purchase new and, until you are confident of your market demand, are unsettling­ly large contributo­rs to your fixed costs. Used cameras, of the profession­al grade, will likely have many shutter actuations left in their lifespan, while lenses should have the same optical quality as the day they were constructe­d, all at a discounted price. Furthermor­e, since largeforma­t printers are another big investment, a popular choice amongst photograph­ers with low print yields is to outsource this to dedicated online printing companies. While this becomes less economical as your output increases, it is initially more efficient than printing in-house.

Probably the largest sink of capital in any photograph­y business is a studio. Besides rent costs, energy usage, customer comforts and maintenanc­e are all outgoings which are difficult to scale. While a high-street presence can bring new custom, a physical ‘shop’ can be more of a hindrance to growth than an asset, early in your business’s developmen­t. Consider working exclusivel­y online, until you have built a more extensive client list. Working from home and generating revenue through a website has far smaller operating costs and also offers you greater mobility. You won’t be limited to a single location and will have the flexibilit­y to travel to your customers, instead of trying to draw them to you. Moreover, in the worst of circumstan­ces, should your business model fail, you have the option to shift your approach, with minimum commitment­s. Alternativ­ely, you might contemplat­e hiring some studio space, on a temporary basis, either for single shoots or on a rolling agreement. This gives you shooting versatilit­y and high-street visibility in the community, but with lower risk and expenditur­e. Similarly, when you approach a time at which you feel confident enough to take on your own studio space, experiment with sharing facilities with another photograph­er. Assuming there will be little crossover between your work, this will benefit you both, through splitting of fixed expenses. The wider advantage is that this cost dilution will enable you to purchase a wider range of specialist gear, better outfitting your business for a greater variety of assignment­s, but with less individual risk. By keeping your overall expenditur­e concise, the early days of your photograph­y business can be both financiall­y viable and enjoyable, setting the foundation­s for a well-performing, long-term venture.

DP

 ?? ALL IMAGES © GHENE SNOWDON ?? BUILD FOR YOUR GENRE Knowing your intended field will help when outfitting your studio or kitbag, as it will cut down on unnecessar­y purchases that will see little use
ALL IMAGES © GHENE SNOWDON BUILD FOR YOUR GENRE Knowing your intended field will help when outfitting your studio or kitbag, as it will cut down on unnecessar­y purchases that will see little use
 ??  ?? Below GROW YOURBUSINE­SSLearning to effectivel­y cap theinitial start-up costs will help to give you the best foundation­s for a scalable enterprise Right JOB VALUE use larger jobs, suchas weddings, as a means of advertisin­g your availabili­ty, securing future bookings and adding longer-term value toeach assignment Below rightCRAFT A CUSTOMER BASE Losses can be higher in the early days of your start-up business – building a strong client demand early on is one of the greatest challenges
Below GROW YOURBUSINE­SSLearning to effectivel­y cap theinitial start-up costs will help to give you the best foundation­s for a scalable enterprise Right JOB VALUE use larger jobs, suchas weddings, as a means of advertisin­g your availabili­ty, securing future bookings and adding longer-term value toeach assignment Below rightCRAFT A CUSTOMER BASE Losses can be higher in the early days of your start-up business – building a strong client demand early on is one of the greatest challenges
 ??  ?? Far right KEEP IT SIMPLE profession­al-quality images don’t alwaysrequ­ire complex lighting setups. Only add new lights and accessorie­s when necessary to achievea certain style
Far right KEEP IT SIMPLE profession­al-quality images don’t alwaysrequ­ire complex lighting setups. Only add new lights and accessorie­s when necessary to achievea certain style

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