Digital Photographer - 2018-07-24

• “IF WE CAN LEARN TO MASTER THE LIGHT, OUR CHANCES OF SUCCESS WILL BE SO MUCH GREATER”
• OUR CONTRIBUTO­RS
• LOOK INSIDE A PRO STUDIO
• KICK-START YOUR PHOTOGRAPH­Y BUSINESS
• INTERVIEW
• PRO COLUMN
• ADD FLASH TO LANDSCAPES
• STORY BEHIND THE STILL
• GROUP TEST: TELEPHOTO ZOOMS
• PANASONIC LUMIX DC-GH5S
• OLYMPUS PEN E-PL9
• ACCESSORIE­S
• TIPS FOR SUCCESS
• Compose for the light
• Use three-dimensiona­l sidelighti­ng
• SIDELIGHTI­NG MADE EASY
• Work with beautiful backlight
• ELIMINATE THE SKY
• Don’t forget to turn around
• THINK COMPOSITIO­NALLY FOR IMPACT
• MAKE LIGHT THE HERO
• KEY POINTS TO REMEMBER
• the pro Photograph­er’s Workday
• STUDIO FOCUS: MATHEW ZUCKER
• THE PRO WORKFLOW
• USE ADMINISTRA­TION SOFTWARE
• STUDIO FOCUS: KYLE GALVIN
• DESIGN AROUND YOUR CLIENTS
• MASTER STUDIO CHALLENGES
• ESSENTIAL STUDIO EQUIPMENT
• STUDIO FOCUS: DAVID YIU
• IDENTIFY STRIKING SHOTS
• LEARN ESSENTIAL STREET SKILLS
• SNAP ON THE STREET
• THE ETHICS OF STREET SHOOTING
• AFTER THE SHOOT
• EDIT YOUR STREET PHOTOS
• TOP TIPS FOR THE STREET
• SHOOTING STEPS
• PRO CASE STUDY
• NIKON AF-P 70-300MM F4.5-5.6E ED VR
• CANON EF 70-300MM F4-5.6 IS II USM
• TAMRON SP 70-300MM F4-5.6 DI VC USD
• PENTAX 55-300MM F4.5-6.3 DA PLM WR
• ZEISS MILVUS 18MM F2.8 ZE DISTAGON T*
• feiyuTech A1000

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