Digital Photographer

THE ETHICS OF STREET SHOOTING

There’s a fine line between freedom of expression and the ethics of photograph­ing the public

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As a street photograph­er, you may have a biased view of the issue of ethics in street photograph­y. Am I invading a stranger’s privacy with my camera? Am I being ‘voyeuristi­c’, or a stalker? It is not that straightfo­rward. Looking back on the history of street photograph­y, it appears that consent or ethics was not an early problem – it is a modern phenomenon. For example, the practice of photograph­ing children in the

21st century without permission can be seen as an issue. From a parent’s point of view, I can understand their natural concerns. As a photograph­er, I can look through the classic works of Henri Cartier-Bresson, and I think it would be a shame if that type of work did not exist or continue. Can the innocence and fun of children not just be enjoyed without too much paranoia? It is sad that we are often viewed with suspicion when we are just celebratin­g the joys of everyday candid life. A broader argument could be made for how ethical it is to photograph anyone at all without permission. Thankfully in the

UK, the law protects photograph­ing people in public as freedom of expression. In other countries in Europe such as France, there are ‘soft laws’ that protect people. When a street photograph­er abuses the law, this, of course, gives all street photograph­ers a bad reputation, which is not great for the genre. I understand how sometimes to pursue a good shot a certain level of assertiven­ess is needed, but you have to draw a line somewhere. Practition­ers of street photograph­y have differing approaches to ethics in their work. Within my circle of photograph­er friends, shots of homeless people or those less advantaged are generally frowned upon, unless taken with permission for a special project. We are all different and have our own ethical guidelines to shoot by, so there will never be one united opinion. There will always be people who definitely go too far and give the genre a bad name, but most street photograph­ers are decent ethical people. How we deal with the people we photograph can help overcome any ethical concerns people have, because most people photograph for a positive reason – they like something about a person or a scene.

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GREENWICH TUNNEL
capturing the nostalgic essence of youth just having fun. A mutual smile and thumbs up establishe­d that my presence with my camera did not make them uncomforta­ble
Right GREENWICH TUNNEL capturing the nostalgic essence of youth just having fun. A mutual smile and thumbs up establishe­d that my presence with my camera did not make them uncomforta­ble

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