Digital Photographer

ESSENTIAL STEPS TO BETTER PRINTS

Overcome common issues and start producing more reliable print results using these easy steps

-

Tips for producing reliable print results

Outputting printed images that accurately match digital files is a common problem for modern photograph­ers. There are many intervenin­g factors that can influence print quality between the post-processing and print framing stages, from inaccurate monitors to mechanical or digital failures. If files are poorly handled in software or printers are badly maintained, print integrity is easily compromise­d. An effective practice is to consider and identify potential issues in the photograph­er’s approach to image editing and their regular print schedule, so that a tailored strategy can be defined and print quality increased.

 ??  ?? ADD NOISE FOR BANDING Banding is a common problem in highly processed colour images or where gradients have been drawn in Photoshop. It is caused by a lack of colour informatio­n in the file, so that the steps between colours become unnatural, forming discernibl­e boundaries. One solution is to use Filter>Noise>Add Noise in Photoshop, set Amount to around 2.5%, choose Gaussian Distributi­on and check Monochroma­tic. This will break up these defined borders and minimise banding effects in prints. Noise should not be visible.
ADD NOISE FOR BANDING Banding is a common problem in highly processed colour images or where gradients have been drawn in Photoshop. It is caused by a lack of colour informatio­n in the file, so that the steps between colours become unnatural, forming discernibl­e boundaries. One solution is to use Filter>Noise>Add Noise in Photoshop, set Amount to around 2.5%, choose Gaussian Distributi­on and check Monochroma­tic. This will break up these defined borders and minimise banding effects in prints. Noise should not be visible.
 ??  ?? SHARPEN FOR PAPERMany photograph­ers apply standardis­ed sharpening to their images, based on subject type and camera equipment used. However, a round of bespoke print sharpening should also be added at the end of the processing­workflow, based solely on paper type. Glossy papers often yield very high detail, so greater sharpening may be necessary to ensure sharpness visibility. For canvas prints, lower sharpening and noise reduction are needed, as the textured surface is more forgiving.Incorrect sharpening and paper pairings can ruin the print impact.
SHARPEN FOR PAPERMany photograph­ers apply standardis­ed sharpening to their images, based on subject type and camera equipment used. However, a round of bespoke print sharpening should also be added at the end of the processing­workflow, based solely on paper type. Glossy papers often yield very high detail, so greater sharpening may be necessary to ensure sharpness visibility. For canvas prints, lower sharpening and noise reduction are needed, as the textured surface is more forgiving.Incorrect sharpening and paper pairings can ruin the print impact.
 ??  ?? KEEP CARTRIDGES COOL Caring for your printer and inks is a critical part of ensuring print consistenc­y and quality. Ink cartridges should be kept at or below room temperatur­e to prevent them from becoming overheated, which can introduce air bubbles and reduce print performanc­e. Equally, very humid environmen­ts can cause separation of the dyes within the ink, affecting colour quality and uniformity. If uncertain, err on cooler conditions, as inks are not adversely impacted by moderate cold.
KEEP CARTRIDGES COOL Caring for your printer and inks is a critical part of ensuring print consistenc­y and quality. Ink cartridges should be kept at or below room temperatur­e to prevent them from becoming overheated, which can introduce air bubbles and reduce print performanc­e. Equally, very humid environmen­ts can cause separation of the dyes within the ink, affecting colour quality and uniformity. If uncertain, err on cooler conditions, as inks are not adversely impacted by moderate cold.
 ??  ?? PRINT A TEST CHART While calibratin­g a monitor is seen as an essential step in the post-processing workflow, creating an accurate printer profile for each paper type frequently used is often overlooked. Download ICC Profile targets from your paper manufactur­er and use a calibrator. Custom profiles give better print colour accuracy.
PRINT A TEST CHART While calibratin­g a monitor is seen as an essential step in the post-processing workflow, creating an accurate printer profile for each paper type frequently used is often overlooked. Download ICC Profile targets from your paper manufactur­er and use a calibrator. Custom profiles give better print colour accuracy.
 ??  ?? SCREEN TO BRIGHTEN If your printed images suffer from slightly underexpos­ed shadows, duplicate the Background layer in Photoshop, set the blend mode to Screen and reduce the Opacity to around 15%. Run a test print and increase the opacity to around 30% if necessary, keeping an eye on the highlights.
SCREEN TO BRIGHTEN If your printed images suffer from slightly underexpos­ed shadows, duplicate the Background layer in Photoshop, set the blend mode to Screen and reduce the Opacity to around 15%. Run a test print and increase the opacity to around 30% if necessary, keeping an eye on the highlights.
 ??  ?? CONCLUSION As with many aspects of a profession­al workflow, printing requires a tailoredap­proach – depending on your requiremen­ts and the materials you are using – to achieve the best quality. Fine control of source file quality and print management are both essential steps.
CONCLUSION As with many aspects of a profession­al workflow, printing requires a tailoredap­proach – depending on your requiremen­ts and the materials you are using – to achieve the best quality. Fine control of source file quality and print management are both essential steps.
 ??  ?? MULTIPLY TO DARKENAs an inverse solution to underexpos­ed prints, a one-step solution to overly bright images is to use the Multiplybl­end mode, at similar opacities.Using these methods is less precise, but it is easier to track changes and tailor effects than working with Adjustment­Layer values.
MULTIPLY TO DARKENAs an inverse solution to underexpos­ed prints, a one-step solution to overly bright images is to use the Multiplybl­end mode, at similar opacities.Using these methods is less precise, but it is easier to track changes and tailor effects than working with Adjustment­Layer values.

Newspapers in English

Newspapers from United Kingdom