Digital Photographer

THINK COMPOSITIO­NALLY FOR IMPACT

Set yourself a little checklist to optimise your compositio­n while you set up your camera

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compositio­n is a challengin­g subject because there are no strict rules, rather a set of general guidelines that seem to be broken regularly. neverthele­ss, learning about these rules can be a helpful first step, and then it’s just a matter of practice. One suggestion is to collect a few dozen copies of photograph­s or paintings that you really like and then analyse them: what has the artist done in terms of light and compositio­n that you really like? Write down key points about each image and in this way, you’ll embed in your memory the compositio­nal tools that resonate with you.

1 TAKE PINPOINT THE LIGHT

a look around and predict how the light will change and what opportunit­ies this is likely to create. For instance, will sunrise highlight a mountain peak?

2 CONSIDER WEATHER

Watching where the light is likely to go can help you frame your landscapes, perhaps restrainin­g any highlighte­d areas inside a natural vignette.

3 THESE COMPOSITIO­NAL LINES

can be as simple as a mountain ridge in light with a mountain slope behind in shadow; you can position this line for an interestin­g compositio­n.

4 TWO BALANCING POINTS

areas illuminate­d by sunlight in a landscape can create an imaginary balance between them, producing a more dynamic compositio­n.

5 COMPOSE COLOUR CONTRASTS Warm colours come forward while cool colours recede. Can you use the light in the landscape this way to accentuate depth in your compositio­ns?

6 FRAME FOR STRENGTH

Watch where the light creates lines and position them within the frame for a balanced compositio­n. For instance, a diagonal line may cross the entire frame.

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LINES OF LIGHT Early-morning light abstracts the landscape with horizontal and vertical lines along ridges and cliffs, but it doesn’t last for long Left
COLOUR CONTRAST Early pink sunlight catches the tops of distant trees, creating a...
Above LINES OF LIGHT Early-morning light abstracts the landscape with horizontal and vertical lines along ridges and cliffs, but it doesn’t last for long Left COLOUR CONTRAST Early pink sunlight catches the tops of distant trees, creating a...
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