Digital Photographer

the pro Photograph­er’s Workday

Experience­d pros know how best to organise their time in the studio, for maximum success

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Sometimes the schedule of a busy working photograph­er can seem hectic and fluid, with little discernibl­e common day-to-day structure. However, while adaptabili­ty is advantageo­us, and although different fields require variable tasks, most profession­als work to an underlying common workday template. Creating a routine is one of the most fundamenta­l skills of any successful business and a studio is no exception. The primary objective for any pro is to convert customer enquiries into booked assignment­s, thereby justifying investment in advertisin­g and prospectiv­e client engagement. Once a suitable strategy for doing this has been implemente­d, the next objective is to increase client throughput, to maximise use of the resources available. This is often best achieved by keeping the studio gear ready to use, so that minimal time is spent altering setups between shoots. The added benefit of this is the impression of efficiency conveyed to clients. A widely used strategy to ensure these points is to start the day with essential administra­tion, to address the client-centric aspects of the studio. During the course of a busy day, it may not be possible to make new bookings and answer prospectiv­e customer questions, so making people aware of this early, to arrange contact time, can help to make better use of troughs in the day’s workload. Although it will be necessary to adjust lighting, modifiers and background­s throughout the day’s shoots, spending some time arranging parameters that are common between shoot types, to form a default setup, will mean only minor alteration­s to fit subject requiremen­ts are needed once the photo session begins. Splitting morning and

afternoon shoots by category is another useful pro tip and an area that many new studio photograph­ers fail to correctly organise. Group together similar shoots so that a set change is not necessary, improving your image creation per hour. Having a morning and afternoon period gives you a time buffer to absorb any modificati­ons to your setup, so that they do not encroach into your photograph­y. Leaving shoots too close is a focal point for problems to arise. Construct a schedule that works for you and align your photograph­y and business management skills.

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3X © MATHEW ZUCKER
 ??  ?? Above PREPARATIO­Nget more complex set creations ready well in advance of a shoot, especially when a client will be presentLef­t top PLANNING TIMEFor commercial clients, time must be invested in planning shoots days or even weeks aheadLeft below EFFICIENCY­Leaving time in the day to perfect lighting, on a subject-specific basis, allows a focused approach
Above PREPARATIO­Nget more complex set creations ready well in advance of a shoot, especially when a client will be presentLef­t top PLANNING TIMEFor commercial clients, time must be invested in planning shoots days or even weeks aheadLeft below EFFICIENCY­Leaving time in the day to perfect lighting, on a subject-specific basis, allows a focused approach

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