Digital Photographer

ESSENTIAL STUDIO EQUIPMENT

These are some items of gear that few pro studios should be without

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STROBES the cornerston­e of most studios, these powerful flashes offer the spread and intensity of light needed for high-end or large-scale shoots. the standard layout is two lights either side of the subject, but a third unit is often used as a hair or rim light.

SOFTBOXES undiffused strobe light is harsh and unflatteri­ng, so a softbox will spread this further for a softer look. softboxes are often preferred over umbrellas, as the light is more directiona­l. the larger the softbox, the softer the lighting.

SEAMLESS BACKGROUND­S the default background of choice, seamless white, black or coloured paper provides distractio­n-free backdrops and also allows easy selections and extraction­s in photoshop.

REFLECTORS the light from strobes often requires further shaping. For many portraits, adding a reflector under the subject’s face will lift shadows and complement complexion. A gold reflector will provide warmer light, better matching skin tone.

NEUTRAL EDITING LOCATION Accurate post-processing is important if image quality consistenc­y is to be maintained. Many studioshot subjects greatly exhibit colour control errors, so editing in a non colour-biased area is key.

CALIBRATED MONITORS standardis­ation using monitor calibrator­s is a must in a profession­al working environmen­t, as is regular re-calibratio­n, to account for colour drift through time. once per month is an effective strategy.

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© DAVID YIU
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© KYLE GALVIN
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