Description

Every year since 1988 a major poet has selected seventy-five poems for publication in The Best American Poetry. The series has quickly grown in both sales and prestige, as poetry itself has seen a remarkable resurgence in popularity and vitality, fueled by established poets at the peak of their powers and a new generation of daring voices. As we approach the millennium, now is the opportune moment to take stock of american poetry and choose the work that will stand the test of time. Harold Bloom, a commanding presence on the American literary state, has read all 750 poems in the series and has picked the "best of the best." He precedes his selections with a compelling and highly provocative essay on the state of American letters, in which he fiercely champions the endangered realm of the aesthetic over the politically correct. Diverse in style, method, and metaphor, the seventy-five poems Bloom has chosen go a long way toward defining a contemporary canon of American poetry. This exciting volume reflects not only the taste of the current editor, but the predilections of the all-star list of poets who have contributed their time and intellect to make this series what is today: a "valuable, invaluable, supervaluable" (Beloit Poetry Journal) record of an ever-changing, always exciting art.

About the author(s)

David Lehman, the series editor of The Best American Poetry, edited The Oxford Book of American Poetry. His books of poetry include The Morning LineWhen a Woman Loves a Man, and The Daily Mirror. The most recent of his many nonfiction books is The Mysterious Romance of Murder: Crime, Detection, and the Spirit of Noir. He lives in New York City and Ithaca, New York.

Harold Bloom is Sterling Professor of Humanities at Yale University. He has written more than sixty books, including Cleopatra: I Am Fire and Air, Falstaff: Give Me Life, The Western Canon, Shakespeare: The Invention of the Human, and How to Read and Why. He is a MacArthur Prize fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards, including the Academy’s Gold Medal for Criticism. He lives in New Haven, Connecticut.

Reviews

“The strength of [The Best of the Best American Poetry] is its sense of subjectivity, the way these poems illustrate their editor’s aesthetic, and in so doing, tell us something of how poetry operates in the world…These are poems that take the personal and make it universal, not by grand statements but by specific observation, building a common vision out of the very things that hold us apart.”

David Ulin

The Best of the Best American Poetry collects 100 splendid works by American poets from a quarter-century of the Best American Poetry series.”

Colette Bancroft

“A concentrated, high-caliber, and exhilarating overview of the intensity and artistry that have made American poetry so splendidly varied and vital…This is an anthology of broad scope, serious pleasure, and invaluable illumination.”

Donna Seaman

“This indispensable volume, with its rich mix of voices, forms and techniques, serves as a melting pot of contemporary American verse.”

Julie Hale

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