Computer Music - 2016-05-18

• GET CREATIVE WITH D16 SILVERLINE EFFECTS
• TOMMY VERCETTI
• BLAST FROM THE PAST: PULTEC EQP-1A
• DRUM FILLS
• Dotec-Audio DeeMonitor
• Sinevibes Cluster 2
• INSTANT FILLS
• > Step by step
• > Step by step
• DISTORTION/ SATURATION
• Softube keep it analogue
• Trackers & Demoscene
• Get with the programmer­s
• PSP StompDelay
• Ins & outs
• What’s on your hard drive?
• Must a synth come with a large supply of good presets?
• The importance of kick and bass
• What’s going on down there?
• Anatomy of a kick drum
• 2. Kick drum synthesis in NI Massive
• 4. Key techniques for kick drum layering
• 5 killer kick instrument­s
• Anatomy of a bass sound
• > Step by step
• > Step by step
• Complement­ary kick and bass
• > Step by step
• Low-end arrangemen­t
• > Step by step
• Gluing the low end
• The stars speak out on… KICK AND BASS
• Drumsound & Bassline Smith
• BACK ISSUES
• Meet the SilverLine range
• 1. Snaking acid lines with Devastor 2 and Fazortan
• > Step by step
• > Step by step
• Beyond SilverLine: Meet Sigmund
• > Step by step
• Think like a drummer
• > Step by step
• > Step by step
• > Step by step
• Where, how long and how much?
• Exploring flavoursom­e extended jazz/funk chords
• Using old-school timestretc­hing and pitchshift­ing to make an atmospheri­c DnB intro
• 1. Upward compressio­n in action
• 2. Upward compressio­n alternativ­es
• Pushing or pulling drum tracks to increase or reduce urgency
• TRACKTION 7
• PreSonus Studio 192
• WaveMachin­e Labs Auria Pro
• Seaboard Rise 49 £950
• Garritan Personal Orchestra 5 £99
• PanShaper €34
• MMorph €149
• TS-1 Transient Shaper £36
• SampleRobo­t 5 Pro £219
• SynthMaste­r 2.8

Computer Music - 2016-04-20

Computer Music - 2016-06-15