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WINNER OF THE INDIE BOOK AWARD 2022 FOR NON-FICTION

WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD 2021

‘Riveting, taking in prejudice as well as sacrifice. There are 4.30am starts, lost instruments, fractured wrists, all captured with vivid flourishes. A paean to camaraderie.’ Observer

Seven brothers and sisters. All of them classically trained musicians. One was Young Musician of the Year and performed for the royal family. The eldest has released her first album, showcasing the works of Clara Schumann. These siblings don’t come from the rarefied environment of elite music schools, but from a state comprehensive in Nottingham. How did they do it?

Their mother, Kadiatu Kanneh-Mason, opens up about what it takes to raise a musical family in a Britain divided by class and race. What comes out is a beautiful and heartrending memoir of the power of determination, camaraderie and a lot of hard work. The Kanneh-Masons are a remarkable family. But what truly sparkles in this eloquent memoir is the joyous affirmation that children are a gift and we must do all we can to nurture them.

About the author(s)

Kadiatu Kanneh-Mason is a former lecturer at Birmingham University and the mother of seven children. The third eldest, Sheku Kanneh-Mason, was BBC Young Musician 2016 and performed at the wedding of Prince Harry and Meghan Markle. The siblings have performed at the 2018 BAFTA ceremony, Britain’s Got Talent, The Royal Variety Performance and at major concert halls around the world.

Reviews

‘Kadiatu Kanneh-Mason’s story offers a ray of sunshine. Her account of the daily struggle to manage the musical educations of her family’s seven talented children reaches a triumphant conclusion when second son, cellist Sheku, achieves worldwide fame in 2018, playing at the wedding of the Duke and Duchess of Sussex.’

‘[Kadiatu’s] frank memoir reveals the eye-watering level of practical, emotional, intellectual and financial commitment required to raise seven outstanding classical musicians… Her beautiful, wise writing is its own music.’

‘Riveting, taking in prejudice as well as sacrifice. There are 4.30am starts, lost instruments, fractured wrists, all captured with vivid flourishes. A paean to camaraderie.’

‘The story runs deeper… Kadie makes no secret of the sacrifices she’s had to make, whether physical (pregnancy never agreed with her), career (she gave up her job as an English lecturer 21 years ago), or financial.’

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