Description

A timeless statement about human foibles...and human endurance, The Skin of Our Teeth is Thornton Wilder’s brilliant, Pulitzer Prize-winning play, now reissued with a beautiful new cover and updated afterword by Wilder’s nephew, Tappan Wilder.

Time magazine called The Skin of Our Teeth "a sort of Hellzapoppin' with brains," as it broke from established theatrical conventions and walked off with the 1943 Pulitzer Prize for Best Drama.

Combining farce, burlesque, and satire (among other styles), Thornton Wilder departs from his studied use of nostalgia and sentiment in Our Town to have an Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way!); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war—by the skin of their teeth.

Witty, clever, and provocative, The Skin of Our Teeth showcases Wilder’s storytelling genius and his extraordinary talents at delving deep into the human psyche.

 

About the author(s)

Thornton Wilder (1897-1975) was an accomplished novelist and playwright whose works, exploring the connection between the commonplace and cosmic dimensions of human experience, continue to be read and produced around the world. His Bridge of San Luis Rey, one of seven novels, won the Pulitzer Prize in 1928, as did two of his four full-length dramas, Our Town (1938) and The Skin of Our Teeth (1943). Wilder's The Matchmaker was adapted as the musical Hello, Dolly!. He also enjoyed enormous success with many other forms of the written and spoken word, among them teaching, acting, the opera, and films. (His screenplay for Hitchcock's Shadow of Doubt [1943] remains a classic psycho-thriller to this day.) Wilder's many honors include the Gold Medal for Fiction from the American Academy of Arts and Letters, the Presidential Medal of Freedom, and the National Book Committee's Medal for Literature.

Reviews

“It is not easy to think of any other American play with so good a chance of being acted a hundred years from now.” — Atlantic Monthly

“Thornton Wilder will survive....as long as there are people around who are willing to sit in something called a theater and be reminded of their common humanity.” — Alan Schneider, New York Times

"Wilder has become a prophet again, searching for values that make humanity worth saving, in a world constantly on the verge of being destroyed either by pitiless nature or by human rage, selfishness, and folly." — Michael Feingold, Village Voice