“Trainspotting for trust funders” — Metro London
“In razor-sharp prose that’s soaked with authenticity…with characters whose increasingly flimsy grasp on reality is as gripping as it is disconcerting…The Wrecking Ball accurately shows where self-destruction can ultimately lead, effectively and entertainingly proving that the ‘dream life’ can often be anything but.” — Anna David, author of Party Girl
“[Christiana] writes beautifully about the taste for oblivion, the temptation of the abyss, the alluring mystery of nothingness. Truth is its soul and brevity is its body. I like young women. Their stories are shorter. Consider yourself seduced.” — Sebastian Horsley, author of Dandy in the Underworld
“Reminiscent of Bret Easton Ellis’s Less Than Zero, this book has trust-fund babies downing vodka at breakfast, barely eating expensive lunches, and getting stoned at rock shows. [Spens is] a raconteur of the party scene.” — The Sunday Herald (London)